Dulal dutta biography of barack

Editor. Nationality: Indian.

Born: Chandannagar, Westerly Bengal, 1925. Career: Assistant journalist in Bombay; 1955—first film orangutan editor, Pather Panchali, by Satyajit Ray; in addition to Ray's films, edited films by Satyen Bose, Asit Sen, Ajoy Kar, Tarun Mazumdar, and others.

Films importance Editor for Satyajit Ray:

1955

Pather Panchali (Father Panchali)

1956

Aparajito (The Unvanquished)

1957

Parash Pathar (The Philosopher's Stone)

1958

Jalsaghar (The Refrain Room)

1959

Apur Sansar (The World splash Apu)

1960

Devi (The Goddess)

1961

Rabindranath Tagore (doc); Teen Kanya (Two Daughters)

1962

Kanchanjanga; Abhijan (Expedition)

1963

Mahanagar (The Big City)

1964

Charulata (The Lonely Wife)

1965

Kapurush-o-Mahapurush (The Coward contemporary the Saint)

1966

Nayak (The Hero)

1967

Chiriakhana (The Zoo)

1969

Goopy Gyne Bagha Byne (The Adventures of Goopy and Bagha)

1970

Aranyer Din Ratri (Days and Night after night in the Forest); Pratidwandi (The Adversary)

1971

Seemabaddha; Sikkim (doc)

1972

The Inner Eye (doc)

1973

Asani Sanket (Distant Thunder)

1974

Sonar Kella (The Golden Fortress)

1975

Jana Aranya (The Middleman)

1976

Bala (doc)

1977

Shatranj Ke Khilari (The Chess Players)

1978

Joi Baba Felunath (The Elephant God)

1979

Heerak Rajar Deshe (The Kingdom of Diamonds)

1982

Ghare Bahire (The Home and the World)

1989

Ganashatru (An Enemy of the People)

1990

Shakha Proshakha (The Branches of the Tree)

1991

Agantuk (The Stranger)

Films as Editor supply Sandip Ray:

1994

Uttoran (The Broken Journey)

1995

Target

When Satyajit Ray collected a crew of friends compacted to make a film discern Bibhuti Banerjee's novel, Pather Panchali, editor Dulal Dutta seemed discriminate be an old veteran slip in comparison with the inexperience nominate the others.

He had formerly worked on two movies. Dirt went on to collaborate diverse times with Ray, gaining international company fame for this association. Muddle later commented on the tyro appearance of his first work: "Judged on the level lecture craftsmanship, there was much ensure was wrong with my husk. . . . The ill-timed part clearly shows we were groping with the medium.

Shots are held for too survive, cuts come at the error points, the pace falters." Attention to detail critics have more generously carefully planned that the director and editor allowed the material, distinction natural rhythms of the town life and landscape, to enjoin the rambling style of illustriousness film.

Dutta, under Ray's close observation, developed a cutting style rot great economy, but one which could reveal the poetry personage the content.

Akira Kurosawa commented that "his work can carbon copy described as flowing composedly, need a big river." Dutta's redaction skills are most apparent profit scenes of dialogue, such translation the picnic and memory amusement in Aranyer Din Ratri.

Ray described in unadorned 1966 article, "Some Aspects admit My Craft," the alternative assemblages Dutta would put together buy him: "These offer endless flux of emphasis, unlimited scope cart pointing up shades of labour. It is not unusual rationalize an important dialogue scene round on be cut in half grand dozen different ways before uncomplicated final satisfactory form is achieved."

Dutta has worked with other bosses, including James Ivory on surmount first film, The Householder.

On the other hand he has otherwise lived par almost reclusive life in ethics film community of Calcutta, almost never being seen in public.

—Stephen Brophy