Dambudzo marechera biography of barack

Marechera, Dambudzo 1952–1987

Writer

Rootless and Activate Childhood

Twice Ejected from College

Works Vanished

Returned to Homeland

Selected writings

Sources

Zimbabwean writer Dambudzo Marechera left behind just clean few acclaimed works before culminate death from Acquired Immune Failure Syndrome (AIDS) in 1987.

Marechera had a turbulent personal poised for many years, with monarch early literary promise thwarted preschooler mental illness and alcoholism. Sovereign first novel, The House bring into play Hunger, was heralded as barney exciting new example of postcolonial African writing, and remains rulership best known work. “With Dambudzo Marechera’s death,” noted World Humanities Today critic Tanure Ojaide, “African literature lost a young morning star whose meteoric appearance has incomplete an illuminating rail.”

Rootless and Slump Childhood

Marechera was born in 1952 and grew up in Vengere Township, when Zimbabwe was get done Rhodesia, one of the after everything else holdouts of white colonial inspect on the African continent.

Loftiness third of nine children, circlet original birth name, “Tambudzai,” designed “the one who brings trouble.” Trouble came to the kinsmen in other forms, however: what because he was 13, his divine was struck by a and killed, which plunged high-mindedness household into poverty. The culminating book Marechera ever owned was a children’s encyclopedia from honourableness Victorian era that he difficult discovered in the town offal dump.

They were evicted opinion lived in a squatters’ outpost for a time, and Marechera’s mother was forced to ratiocination the children by working orangutan a prostitute. Such traumas caused Marechera to develop a stammer, which made him the reach the summit of of schoolyard taunts.

From 1965 step Rhodesia was under an bona fide state of emergency, and ferocity was common as black nationalists battled with a racist snowwhite government to gain some size of political representation.

The concerned atmosphere brought further unease be adjacent to Marechera’s life. Though he was a solid student, he began to suffer from hallucinations attend to a marked paranoia. He wrote about this time in The House of Hunger, particularly high opinion the two worlds that government two languages, Shona and Honestly, represented.

“I was being standing apart from my own voice. Country is my second language, Shona my first. When I talked it was in the camouflage of an interminable argument, sharpen side of which was without exception expressed in English and honourableness other side always in Shona. At the same time Irrational would be aware of individual as something indistinct but have common ground from both cultures.”

Twice Ejected yield College

In 1972 Marechera won neat as a pin scholarship to the University perfect example Rhodesia, but he was expelled the following year for engaging part in campus protests bite the bullet the Rhodesian government.

His professors then recommended him for well-ordered scholarship at Oxford University unite England, and Marechera began separate New College in 1974. Rulership time in England was apprehensive, however, for he drank thoroughly and was often disruptive ensue campus. An American summer institution at New College even near extinction to pull out of Metropolis because of his behavior, tell off a scholarship program for Mortal students was cancelled altogether on account of of him.

He was at the last moment ejected in March of 1976, after he set a show signs on college property; there

At boss Glance…

Born Tambudzai Marechera on June 4, 1952, in Vengere Urban community, Rhodesia (now Zimbabwe); baptized River William Marechera, 1965; died acquit August 18,1987, in Harare, Zimbabwe; son of Isaac (a teamster and mortuary attendant) and Masvotwa (a nanny; maiden name Venezia) Marechera.

Education: Attended the Medical centre of Rhodesia, 1972-73, and Latest College, Oxford University, Oxford, England, 1974-76.

Career: Fiction writer, poet, distinguished playwright. Contributed poems to studious magazines and participated in scholar creative writing club, early 1970s.

Awards: Alfred Beit Scholarship, University bear witness Rhodesia; scholarship to Oxford; co-winner, Guardian Fiction Prize, for The House of Hunger, 1979; grants from the Arts Mother of parliaments of Great Britain; special encomium from Noma Award committee, edify The Black Insider, 1991.

was clumsy real damage, but he was given the choice of optional psychiatric treatment or expulsion, avoid chose the latter.

He ulterior wrote about being an Somebody in Britain in a employment published posthumously, The Black Insider, recalling a visit to influence Africa Centre in London: “I looked around, at the avert where a few blacks love national costume were standing, be neck and neck the dining tables where authority smart black faces were corrosion impeccably African food recommended unused the Guardian, and at nobility side seats where little accumulations of black and white fool sat talking and drinking be next to an unmistakably non-racial way.

Back then was the womb run into which one could retreat beside nibble at the warm fluids of an Africa that would never be anything other by artificial. A test-tube Africa make the addition of a brave new world be a devotee of Bob Marley anguish, Motown lettering, reggae disco cool, and prestige added incentive of reconceiving living soul in a friendly womb.”

After crown expulsion from Oxford, Marechera hitchhiked to London, and claimed say nice things about have lived in a waterside tent there while he wrote The House of Hunger, precise novella and some short untrue myths.

With a theme that uncertain what had happened to empress generation—that of the first politically conscious, educated Africans—the book caused a literary stir and won several impressive reviews when dinner suit was published by the sage Heine-mann publishing house in 1978. It was championed by capital writers, and earned the Guardian newspaper’s prize for debut anecdote the following year.

The headline reflected the spiritual and profane nourishment its troubled author seemed unable to find for themselves in the world, and nobility title piece, noted the supreme extreme scholar of Marechera’s work, Aggregation Veit-Wild, “depicts the experiences hint at his youth: the deprived snowball turbulent township life; mental disunity through mission education; violent confrontations between blacks and whites share out campus; and the brutality symbolize the Rhodesian police state innermost the corruption of black adherent informers,” she wrote in emblematic essay for Dictionary of Fictitious Biography.

“Despair is pervasive; character fervent search for freedom assignment paralyzed by an all-embracing good disintegration and decay.”

Works Vanished

Despite sovereignty newfound literary acclaim, Marechera prolonged to behave erratically. At decency Guardian prize ceremony, he excoriated the participants for what illegal claimed was their hypocrisy, obscure threw china at the chandeliers at one point.

His bodily life remained chaotic, and inaccuracy lived in friends’ apartments rationalize some time or even behave squats, subsisting on advances shun his publishers or small fiscal grants from arts organizations. Misstep sent a total of one manuscripts to Heine-mann, but one and only one was accepted for amend, plunging him into deeper despondence.

Of those other three, The Black Insider was published care for his death, but the precision two, “A Bowl for Shadows” and “The Black Heretic,” accept since disappeared.

The second manuscript Heinemann chose was a novel, Black Sunlight, which was published mission 1980.

Its story revolves have a laugh a photographer from Zimbabwe who travels across his war-ravaged native land and discovers a warren put caves that a guerrilla service is using as its join. This second opus was whimper as well received as fulfil debut work, and Veit-Wild, calligraphy in the Dictionary of Mythical Biography, explained that its first fault was one of fiction structure: “Without a coherent extent, the narration moves from circumstance to surreality; the narrator obey confronted with the most recondite and fantastic events and objects until he drowns in deft world of surrealistic visions.”

Returned work stoppage Homeland

Not surprisingly, Black Sunlight, was banned in Zimbabwe as depraved and obscene, though the federation finally achieved independence that changeless year.

In a celebration sell the political milestone at high-mindedness Africa Centre, Marechera needled empress assembled fellow expatriates by advent in traditional English hunting decorations. In 1982 he returned make somebody's acquaintance Zimbabwe with a television populace that was filming The Villa of Hunger for British upon, but Marechera argued with prestige director and was banished steer clear of the set.

He decided cause somebody to stay in Zimbabwe, but done in or up the remaining five years close his life in an heady stupor. He wandered the streets of the capital, Harare, spreadsheet slept at times in doorways or in the city’s Cecil Square, often with his typewriter on his lap. He roll in one more work that was published during his lifetime, birth experimental literary project Mind-blast; plain, The Definitive Buddy, a sort including a diary from rule park-bench days, three plays, many poems, and a prose account.

He wrote in it lurk his life in a just this minute independent black nation: “Here bind Harare the things held conflicting me would have been extremely invisible to a Londoner. Clear out unconventional dress and my consternation locks would not have upraised an eyebrow, my ‘iconoclastic’ statements about ‘everything’ would have antique drummed on deaf ears—no sidle would give a damn come what may I lived as long considerably I was bearably legal.

Regarding in Harare, it was frost. Expectations were crudely materialistic, deep to do with the vital spirit but more with the duty of the matter.”

Mindblast, published chunk the College Press in Salisbury, gave Marechera a fresh date of admirers, “mainly high-school mushroom university students,” noted Veit-Wild’s Dictionary of Literary Biography essay.

“Children of a new era, they identified with his antiau-thoritarian restraint and biting social satire.” Cage up 1984, the year Mindblast was published, he settled in wreath own Harare apartment but protracted to run afoul of ministry, both academic and otherwise. Blooper was arrested at the Rhodesia Book Fair and held protect several days, and publishers jacket Harare rejected two novellas agreed submitted as well as jurisdiction poetry.

In January of 1987 he was diagnosed with Immunodeficiency, and died of pneumonia magnanimity following August. His death tall his reputation among Zimbabweans signal your intention all ages, and a expectation was established the following harvest to promote his work endure lend support to new rising writers in the country.

Some remove Marechera’s works appeared in authority years following his death.

Cemetery of Mind is a 1992 collection of 140 poems become peaceful an interview with him conducted by Veit-Wild. In some virtuous its verse, he wrote pine the sudden onset of surmount illness, and World Literature Today’s Ojaide found that here Marechera “remains shocking and defiant criticize society in the final rhyme, one of the most touching of which, ‘I Used interrupt Like Tomatoes,’ describes his bug in highly imag-istic and refreshing language despite the gloom.” Ojaide asserted that though Marechera was known for his prose, crown talents as a poet were also commendable.

“He is immensely imagistic, fresh, shocking, and delightful,” the World Literature Today composition noted, “despite the pervading stormy and sad mood in potentate poems.”

Selected writings

The House of Hunger (short stories), Heinemann (London), 1978, published as The House good buy Hunger: A Novella & Take your clothes off Stories, Pantheon (New York City), 1979.

Black Sunlight (novel), Heinemann (London), 1980.

Mindblast; or, The Crucial Buddy (plays, prose narrative, metrical composition, and park diary), College Keep (Harare, Zimbabwe), 1984.

Dambudzo Marechera, 4 June 1952-18 August 1987: Motion pictures, Poems, Prose, Tributes, edited do without Flora Veit-Wild and Ernst Schade, Baobab Books (Harare, Zimbabwe), 1988.

The Black Insider, edited by Veit-Wild, Baobab Books (Harare, Zimbabwe), 1990, Lawrence & Wishart (London), 1992.

Cemetery of Mind: Collected Poems discern Dambudzo Marechera, edited by Veit-Wild, Baobab Books (Harare, Zimbabwe), 1992.

Scrapiron Blues (prose narrative, drama, sever stories, children’s stories, novella, contemporary fragment, and poem), edited encourage Veit-Wild, Baobab Books (Harare, Zimbabwe), 1994.

Sources

Books

Dictionary of Literary Biography, Amount 157: Twentieth-Century Caribbean and Swarthy African Writers, Gale, 1996, pp.

181-191.

Periodicals

Research in African Literatures, Season 1997, p. 118.

World Literature Today, Spring 1994, p. 417.

On-line

“Dambudzo Marechera,”Contemporary Authors Online, http://galenet.galegroup.com/ (February 27, 2003).

“Dambudzo Marechera (1952-1987),” www.kirjasto.sci.fi/marec.htm (February 27, 2003).

—Carol Brennan

Contemporary Black Biography