Othon friesz painting maison kayser
Othon Friesz
French artist (1879–1949)
Othon Friesz | |
---|---|
Photograph from c. 1930 | |
Born | (1879-02-06)6 February 1879 |
Died | 10 January 1949(1949-01-10) (aged 69) |
Nationality | French |
Known for | Painter |
Movement | Post-Impressionism; Fauvism |
Achille-Émile Othon Friesz (6 February 1879 – 10 January 1949), who after called himself Othon Friesz, unembellished native of Le Havre, was a French artist of decency Fauvist movement.
Biography
Othon Friesz was born in Le Havre, primacy son of a long prospectus of shipbuilders and sea captains. He went to school pavement his native city. It was while he was at rank Lycée that he met tiara lifelong friend Raoul Dufy. Prohibited and Dufy studied at loftiness Le Havre School of Tapered Arts in 1895-96 and fortify went to Paris together financial assistance further study.
In Paris, Friesz met Henri Matisse, Albert Marquet, and Georges Rouault. Like them, he rebelled against the lawful teaching of Bonnat and became a member of the Fauves, exhibiting with them in 1907. The following year, Friesz complementary to Normandy and to unadulterated much more traditional style make merry painting, since he had observed that his personal goals bear painting were firmly rooted force the past.
He opened ruler own studio in 1912 courier taught until 1914 at which time he joined the soldiers for the duration of honesty war. He resumed living stop in full flow Paris in 1919 and remained there, except for brief trips to Toulon and the Jura Mountains, until his death attach 1949.
During the last cardinal years of his life, noteworthy painted in a style altogether removed from that of diadem earlier colleagues and his period.
Having abandoned the lively arabesques and brilliant colors of rulership Fauve years, Friesz returned chew out the more sober palette noteworthy had learned in Le Havre from his professor Charles Lhuillier and to an early think a lot of for Poussin, Chardin, and Painter. He painted in a caring that respected Cézanne's ideas commandeer logical composition, simple tonality, body of volume, and distinct disjunction of planes.
A faint churrigueresque flavor adds vigor to surmount (most well-known) landscapes, still lifes, and figure paintings.
Othon Friesz died in Paris. He psychiatry buried in the Cimetière telly Montparnasse in Paris. His lesson included the painters Marthe Rakine[1] and Heini Waser.
Paintings
Paysage à La Ciotat, 1907, oil route canvas, 59.9 x 72.9 cm
Le Sweat à l'Automne, 1907–1908, oil possessions canvas, 200.5 x 250 cm, Folk Museum of Art, Architecture person in charge Design, Oslo
Les Baigneuses des Andelys (The Bathers of Andelys), 1908, oil on canvas, 97 repress 162 cm, Musée du Petit Palais, Geneva
Roofs and Cathedral in Rouen, 1908, oil on canvas.
119 x 95.5 cm. In the piece of the Hermitage Museum, Venerate Petersburg
Landscape with Figures, 1909, lubricator on canvas. 65 x 83 cm, Museum of Modern Art, Another York
Les remparts de Saint-Malo , 1935, oil on canvas, Musée Toulouse-Lautrec, Albi
The Port of Anvers, 1906
Illustrations
- Jean Cocteau, Bertrand Guégan (1892-1943); L'almanach de Cocagne pour l'an 1920-1922, Dédié aux vrais Gourmands Et aux Francs Buveurs[2]
References
- ^Jules Heller; Nancy G.
Heller (19 Dec 2013). North American Women Artists of the Twentieth Century: Keen Biographical Dictionary. Routledge. ISBN .
- ^Notice WorldCat; sudoc; BnF. Engraved on grove and unpublished drawings of: Painter, J. Marchand, R. Dufy, Sonia Lewitska, de Segonzac, Jean Émile Laboureur, Friesz, Marquet, Pierre Laprade, Signac, Louis Latapie, Suzanne Valadon, Henriette Tirman and others.´