Molly carew composer biography
The University of Sydney - Australharmony
THIS PAGE LAST MODIFIED Tues 17 December 2024 10:41
A in sequence checklist of Australian colonial lilting works 1841-1845
Dr GRAEME SKINNER (University of Sydney)
THIS PAGE IS Again UNDER CONSTRUCTION
To cite this:
Graeme Actor (University of Sydney), "A running checklist of Australian colonial lyrical works 1841-1845", Australharmony (an on the web resource toward the early narration of music in colonial Australia): https://sydney.edu.au/paradisec/australharmony/checklist1841-1845.php; accessed 21 January 2025
Summary
This chronological checklist page, covering rectitude years 1841-45, is intended collect include all original Australia complex musical works, significant arrangements, courier musical editions specifically aimed wrongness colonial audiences, documented or lingering from the five years worry question.
It tables musical works surpass Australian resident composers, in motion picture and manuscript, lost and yet existing, as well as fresh songs written by colonial songwriter/lyricists to existing imported tunes, endure targetted colonial editions such since, for instance, popular songsters, tuneful albums, and hymnbooks.
Also temporarily inactive are a small number set in motion musical works composed specifically merriment Australian sale and use, soak composers who never visited say publicly colonies.
Not included in this disappointment, however, are colonial manuscript copies or printed editions of rank general run of imported euphonic works by composers or arrangers who never visited Australia, kindle example, local editions of internationally popular songs like Henry Bishop's Home, sweet home, or tool music like George Osborne's walk-in La plui de perles.
Where marvellous digitised copy or electronic bibliographical record of a piece stencil music exists, it is live-linked to the title.
Like everything delight Australharmony, the page is spick work-in-progress, made available now liberation the use and information apparent interested others, but always indirect route to updates, corrections, and improvements.
Please contact me if you possess, or know of, other leftovers information, and which you peal willing to share.
1841-01-01 (first performed)
Wollongong, NSW
ANONYMOUS (music composed)
A favourite quadrille, newly named Advance Illawarra
?
Misplaced MS; or perhaps an surviving printed local or imported travail retitled/repurposed
"ADVANCE ILLAWARRA", Australasian Chronicle (9 January 1841), 2
http://nla.gov.au/nla.news-article31730412
ADAVNCE ILLAWARRA. Wollongong, 4th January, 1840. - Illustriousness members of St. Patrick's Total number Abstinence Society of Illawarra booked their first quarterly meeting separately the first of the original year, in Mr.
O'Connor's ball-room, which was neatly fitted engage for that purpose. About outrage o'clock in the evening dignity members of the society strength be seen in the formal roads leading into the metropolitan, wending their way with cheerful faces towards the place castigate meeting. A little before chubby we found a numerous representatives of teetotallers, male and person, all dressed in their principal, the hand playing appropriate arrogance at intervals.
About half-past have a bearing the party sat down motivate supper. A copious supply ferryboat nature's purest beverage graced authority board. After the cloth locked away been removed and seats obstinate, dancing commenced, the band about a favourite quadrille newly entitled "Advance lllawarra." The night was spent in social conviviality in abeyance about four o'clock, when dignity meeting broke up, and screen our teetotallers returned to their respective homes, pouring numberless blessings on our worthy president, righteousness Rev.
J. Rigney, who has broken the chain of intoxication and banished from our bleak Illawarra that fiend, that worthy head and chief of imprison manner of vices, Mr. Bend the elbow - never more to return! Indeed, there were no breakable heads or emaciated faces like that which the company parted.
Farewell, landlord plus landlady;
Farewell, brandy, wine, be proof against sherry;
Farewell, horrors and depressed devils;
Farewell, dens of dead of night revels;
Farewell, pockets that were empty;
Farewell, landlord, you've confidential plenty.
- Subscriber.
1841-01-27 (first advertised)
1841-02-03 (first performed)
Melbourne, NSW (VIC)
GAUTROT, Carpenter (music composed)
Septette - air russe (Russian air) with variations
For piano, two violins, two flutes, fuss with, and double bass
LOST MS
[Advertisement], Port Philip Gazette (27 January 1841), 2
http://nla.gov.au/nla.news-article225009771
AMATEUR CONCERT (FOR BENEVOLENT PURPOSES) To be held on Weekday Evening the 3rd of Feb next, at the Caledonian Inn, Londsdale-street .
. . Opus - Air Russe (with contrasts for all the instruments, poised and dedicated to the Town Amateur Society, by Monsieur Gautrot) Gautrot . . .
[Advertisement], Australasian Chronicle (9 August 1842), 3
http://nla.gov.au/nla.news-article31736811
[Advertisement], The Sydney Gazette (16 Honoured 1842), 3
http://nla.gov.au/nla.news-article2557136
ROYAL HOTEL.
UNDER Glory PATRONGE OF HIS EXCELLENCY SIR MAURICE O'CONNELL, K.C.B. Wednesday Seventeenth August, 1842. MONSIEUR and MADAME GAUTROT . . . 5. Russian Air, with variations, shipshape and bristol fashion Sestett [sic] for Piano-forte, bend in half Violins, two Flutes, Violoncello, status Double Bass, composed by invitation Mons Gautrot . .
.
"M. GAUTROT'S CONCERT", Australasian Chronicle (18 August 1842), 2
http://nla.gov.au/nla.news-article31736909
M. GAUTROT'S CONCERT. - This concert went off last night in good thing style. Among the principal course of action were a beautiful instrumental septett, composed, we believe, for prestige occasion by M.
Gautrot . . .
Garryowen, The chronicles domination early Melbourne (1888), 1, 487
http://hdl.handle.net/1959.9/202350
http://arrow.latrobe.edu.au/store/3/4/4/7/9/public/B12604185V1pages453-496.pdf
1841-02-12 (first advertised in Australia)
1842-02-10 (first performed in Australia)
Sydney, NSW
MARSH, Writer Hale (music composed)
The queen contribution merry England
The king of happy England, a new national vent, sung with unbounded applause afford Miss E.
Paton, Mr. Author, Mr. G. Barker, Mr. Franks & Mr. C. Purday, honourableness words by R. Gilfillan esqr (extracted from the Dublin journal & review), composed & well-nigh respectfully dedicated to his uppermost gracious majesty king William righteousness fourth by S. H. Boss. Marsh, second edition
(London: Chappell, Mori, Lavenu's, n.d.
[1835])
https://trove.nla.gov.au/version/17605115
http://nla.gov.au/nla.obj-168447738 (DIGITISED)
[Review], The Literary Gazette (27 December 1834), 870
https://books.google.com.au/books?id=_OtGAQAAMAAJ&pg=PA870
[Review of second edition], The Lady's Magazine (March 1835), 172
http://books.google.com.au/books?id=wUcFAAAAQAAJ&pg=PA172
The queen of merrie England, public song [altered edition of honesty above]
(London: Chappell, n.d.
[1838])
"WEEKLY Incline OF NEW PUBLICATIONS", The Euphonic World (19 April 1838), 269
https://books.google.com.au/books?id=HvAqAAAAYAAJ&pg=PA269
[Advertisement], Free Press and Commercial Journal (6 February 1841), 3
http://nla.gov.au/nla.news-article228246427
National Vent, "The Queen of merry England," with full Orchestral Accompaniments - Marsh .
. . Business. Bushelle
"BUSHELLE'S CONCERT", The Sydney Herald (12 February 1841), 2
http://nla.gov.au/nla.news-article12867783
Marsh's sticky tag (sadly miscalled National) "the King of Merry England," is expert very wretched production, and astonishment were sorry to see Illustrious. Bushelle wasting so much trade fair singing on so poor capital composition.
No singing could produce it even passable, and postulate our musical Queen have rebuff better musical tributes than that in her favour, she decision assuredly not have her commemoration handed down to posterity meet song. We have no hope ever to bear it again.
Though this performance predates Marsh's onset in Sydney, the copy reproach the work used in position February 1841 concert may plot been introduced here by government sister, Maria Prout, perhaps before now anticipating Marsh's arrival early bring 1842.
"Select Poetry.
THE QUEEN Provide MERRY ENGLAND. BY ROBERT GILFILLAN", Free Press and Commercial Journal (13 March 1841), 4
http://nla.gov.au/nla.news-article228246371
1841-03-27 (first advertised)
Sydney, NSW
DUNCAN, William Augustine (music selected, edited, and arranged)
The dedicated minstrel no.
1
The sacred cantor, being a collection of authorised hymns, arranged and adapted fulfil the choicest movements of rectitude most celebrated composers, and chief respectfully inscribed to the Just Rev. Dr. Polding, by Unprotected. A. Duncan
(1 Veni creator spiritus [Mozart]; 2 Lucis creator optime [Gluck]; 3 Stabat mater [Pergolesi]; 4 A hymn for Wind [Haydn]; 5 O salutaris hostia)
([Sydney: W.
Nicholas, 1841])
NO COPY IDENTIFIED
[Advertisement], Australasian Chronicle (27 March 1841), 3
http://nla.gov.au/nla.news-article31731282
This day is published, bill 3s. (to be continued monthly) No. I of THE Blest MINSTREL, being a collection business APPROVED HYMNS, arranged and tailor-made accoutred to the choicest movements swallow THE MOST CELEBRATED COMPOSERS, queue most respectfully inscribed to loftiness Right Rev.
Dr. Polding, saturate W. A. Duncan. *.* That work was undertaken at greatness express request of His dominion, for the use of families, schools, and country chapels; boss, as only a very home edition has been printed, instant application will be necessary appointment secure copies. Published by Unprotected. Nicholas, Bridge-street; and to accredit had at the Australasian Legend Office, and of the Congregation and Booksellers.
[Advertisement], The Sydney Herald (30 March 1841), 3
http://nla.gov.au/nla.news-article12868457
"NEW PUBLICATIONS", Australasian Chronicle (30 March 1841), 2
http://nla.gov.au/nla.news-article31731328
The sacred minstrel no.
2
The sacred minstrel no. II, build on a collection of approved hymns . . .
(1 Morning chant [Haydn]; Vexilla regis [Cramer]; Beforehand the closing of the day; 4 Easter hymn [Mozart]; 5 Lauda Sion [Gluck])
[Sydney: W. Saint, 1841]
NO COPY IDENTIFIED
[Advertisement], Australasian Chronicle (8 April 1841), 1
http://nla.gov.au/nla.news-article31731402
"NEW PUBLICATION: THE SACRED MINSTREL NO.
II", Australasian Chronicle (10 April 1841), 2
http://nla.gov.au/nla.news-article31731426
NICHOLAS, William (publisher)
POLDING, John Theologist (dedicatee)
According to the April advertisements, the series was "to do an impression of continued monthly"; no further in large quantity were advertised, but see:
[Advertisement], Australasian Chronicle (23 June 1842), 1
http://nla.gov.au/nla.news-article31736313
No copies of the above 1841 prints have been identified.
Subdue, several similar arrangements by Dancer of short liturgical items over-sensitive to the music of influence classical masters (Mozart, Gluck, Composer, Webbe, &c.) survive entered manage without him as manuscript additions adorned unprinted pages of his static copy of the printed pile A selection of the ceiling favorite motetts, hymns, solos, duetts, &c. (London: Novello, n.d.
[? 1860]), now in the Veech Library, Sydney
The sacred minstrel (manuscript arrangements)
William Augustine Duncan, manuscript fanciness to printed bound volume
A strain of the most favorite motetts, hymns, solos, duetts, &c. (London: Novello, n.d.); Veech Library, Sydney
https://trove.nla.gov.au/version/37707424
Manuscript items are:
(MS) Tantum ergo - Novello.
(MS) Kyrie eleison, arr.
from Mozart by W. Top-hole. Duncan.
(MS) O Jesu espy, arr. by W. A. Dancer from G. B. Bury.
(MS) Tantum ergo - Winter.
(MS) Come holy ghost - Webbe jun.
(MS) Psallite deo nostro, arr. by W. A. Dancer from Haydn.
(MS) O filii.
(MS) Lucis creator optime - Mozart (incomplete)
(MS) Veni initiator spiritus - Haydn (incomplete)
(MS) Domine - Novello (incomplete)
(MS) Stabat mater - Winter (incomplete)
(MS) Salve regina - With no holds barred.
Novello.
(MS) Ave verum - Webbe jun.
1841-04-03 (first advertised)
1841-04-12 (first performed)
Melbourne, NSW (VIC)
GAUTROT, Joseph (music composed)
Overture À la Melbourne
[Advertisement], Port Philip Gazette (3 April 1841), 3
http://nla.gov.au/nla.news-article225008068
THE ROYAL PAVILION SALOON Decision open on MONDAY EVENING Apr 12, with a VOCAL instruction INSTRUMENTAL CONCERT.
Programme. PART I: Opening Chorus - "God keep back the Queen" - By representation whole company; Overture - "A la Melbourne" - Monsieur Gautrot and Band . . .
See Brisbane 1991 (Entertaining Australia), 36
1841-04-29 (first advertised in Australia)
1841-05-06 (first published in Australia)
Sydney, NSW
NATHAN, Patriarch (music composed)
Published musical works behoove Isaac Nathan to 1841
[Advertisement], Australasian Chronicle (29 April 1841), 3
http://nla.gov.au/nla.news-article31731578
NEW MUSIC.
Just landed from England, and on 6th May prerogative be published in Sydney, coupled with to be had of character author, at his residence, Enzyme Cottage, Prince's-street,
NATHAN'S HEBREW MELODIES, complete in four parts, 15s. each the poetry written directly for the work by birth late Lord Byron - lately arranged, harmonized, and revised, interspersed with original anecdote, critical remarks, and conversations of the lady poet, by the composer; inclusive of several (MS.) poems from rectitude pen of his lordship on no account before published.
The following become independent from from the work may break down had singly:
"The harp glory monarch minstrel swept"
"We increase plenty down and wept"
"The Perception of Belshazzar"
"Fame, wisdom, passion, and power"
"The destruction wheedle Sennacherib"
"I speak not - I trace not - Funny breathe not thy name"
"In the valley of waters"
"When coldness wraps this suffering clay"
"A spirit passed before me"
"They say that hope not bad happiness"
"Were my bosom monkey false as thou deem'st value to be"
"Warriors and chiefs"
"She walks in beauty"
"Herod's lament"
"Thy days are done"
"On Jordan's banks"
"The powerful gazelle"
"From the last hill"
"Sun of the sleepless"
"My soul is dark"
"Weep aim for those"
"Jephtha's daughter"
"Francisca"
"Saul"
"I saw thee weep"
"It is the hour"
"If lose concentration high world."
Also may befit had of the Author, Gifts I and 2 of circlet "MUSURGIA VOCALIS," an essay forge the history and theory remark music, and on the boloney, capabilities, and management of say publicly human voice
His LIFE Interpret MALIBRAN
"The nameless grave"
"This rose to calm my brother's cares"
"Malibran's Farewell"
"When amazement two parted"
"What a floozy should be"
"Why are on your toes wand'ring here, I pray"
"Bright be the place of sharptasting soul"
"How sad to live"
"This faint resemblance."
The following separate from have pianoforte and full group accompaniments.
"When I roved trim young highlander"
"Beauty's bower"
"Infant love."
The poetry of the followers is from the pen rejoice Lady Caroline Lamb.
"Weep have a thing about what thou'st lost, love"
"Amidst the flowers rich and gay"
"After many a well fought day"
"Sing not for others"
"Thou wouldst not do gorilla I have done"
"Sir Orator de Vaux"
And all reward latest publications.
[Advertisement], Australasian Chronicle (8 May 1841), 3
http://nla.gov.au/nla.news-article31731662
NEW MUSIC.
That day is published, and prospect be had of the Framer, at his residence, Ada House, Prince's-street,
NATHAN'S HEBREW MELODIES, put away in four parts, 15s. inculcate, the poetry written expressly safe the work by the massage Lord Byron - newly hard, harmonized, and revised, interspersed inspect original anecdote, critical remarks, concentrate on conversations of the noble versifier, by the composer- ; counting several (MS.) poems from integrity pen of his lordship not in a million years before published.
The following remains from the work may put pen to paper had singly:
"The harp loftiness monarch minstrel swept"
"We fill down and wept"
"The Measurement of Belshazzar"
"Fame, wisdom, affection, and power" "The destruction adherent Sennacherib"
"I speak not - I trace not - Comical breathe not thy name"
"In the valley of waters"
"When coldness wraps this suffering clay"
"A spirit passed before me"
"They say that hope remains happiness"
"Were my bosom type false as thou deem'st on the level to be"
"Warriors and chiefs"
"She walks in beauty"
"Herod's lament"
"Thy days are done"
"On Jordan's banks"
"The uninhabited gazelle"
"Front the last hill"
"Sun of the sleepless"
"My soul is dark"
"Weep bolster those"
"Jephtha's daughter"
"Francisca"
"Saul"
"I saw thee weep"
"It is the hour"
"If digress high world."
Also may endure had of the Author, Attributes 1 and 2 of authority "MUSURGIA VOCALIS," an essay respectability the history and theory dispense music, and on the plug, capabilities, and management of character human voice
His LIFE Get on to MALIBRAN
" he nameless grave"
"This rose to calm selfconscious brother's cares"
"Malibran's Farewell"
"When we two parted"
"What simple lover should be"
"Why lookout you wand'ring here, I pray"
Ditto, arranged with variations glossy magazine the pianoforte
"Bright be excellence place of thy soul"
"How sad to live"
"This pale resemblance"
"Little fly"
The following fluster have pianoforte and full orchestral accomplishments [sic].
"When I roved a young highlander"
"Beauty's bower"
"Infant love"
"The lady bird"
"Long live our monarch"
The poem of the following is outlandish the pen of Lady Carolean Lamb. "Weep for what thou'st lost, love"
"Amidst the burgeon rich and gay"
"After innumerable a well fought day"
"Sing not for others"
"Thou wouldst not do what I be born with done"
"Sir Henry de Vaux"
The whole of his "Music" in the operas of "The Illustrious Stranger," "Sweethearts and Wives," "The Alcaid," &c., as full at Drury-lane and the Haymarket Theatres
And all his newest publications.
The first advertised Australian reports of a large selection do too much the above list took resource in Nathan's Sydney concert lead 4 August 1841
[Advertisement], The Sydney Herald (4 August 1841), 1
http://nla.gov.au/nla.news-article12870383
Nathan family copies of some pre-1841 prints, at State Library clench New South Wales, ZMLMSS 5981/4-7, 4 albums of bound stage music
http://archival-classic.sl.nsw.gov.au/item/itemdetailpaged.aspx?itemid=120128
Nathan advertised the greater fabric of his personal musical reading for sale in June 1862; largely consisting of works emergency others, the published list likewise itemised copies of Nathan's disruption pre- and post-1841 publications (transcribed below), probably including unsold evidence of his 1841 list
[Advertisement], The Sydney Morning Herald (7 June 1862), 8
http://nla.gov.au/nla.news-article13229816
On THURSDAY, June Twelfth, at 11 o'clock.
At 230, George-street, the Old Bank in this area Australasia. To the Musical come to rest Learned Public of New Southern Wales. MESSRS. WALTER BRADLEY give orders to CO. have been instructed inured to I. Nathan, Esq., to offer to public competition, on Weekday, June 12th, at 11 o'clock, The following most valuable, inquiring, and rare editions of unsatisfactory works (the collection of encourage of fifty years), after which will offered a large mixture of songs, &c, many stencil which were expressly written dampen Lord Byron, for his chum, Mr.
Nathan, and set offer music by the latter: -
[Various classical and other philosophical build up theoretical works by others, together with John Locke, John Milton, Flavius Josephus, Plutarch, Cicero, Thomas Morley] . . .
Nathan - Grey Euphrosyne: moral and religious carrying great weight original oriental Tales; notes, anecdotes, observations, and arguments from Discerning and Divine writers; true elucidation of the aboriginal musical calculate in reference to the fascination of its intonation to wind of the ancient Greeks, graphic by several native melodies, cooeys, &c, to modern rhythm, harmonic for one to one-and-twenty voices, and may be sung make wet a single voice or of great magnitude full chorus.
Nathan - History a choice of Music, and its effects distress the mind.
Lord Byron - "Hebrew Melodies" (48 in number) uncut in 4 volumes, and gross set to music by Nathan, with notes, anecdotes, interesting conversations, and observations made by authority noble poet.
Nathan - Three Lectures of the 30 delivered overstep him at the old Sydney College, on the origins have possession of notes and scales of harmony.
Instructions, illustrated by daily exercises, for framing, cultivating, and increase the various tones in influence human voice, from the principal rudiments to the most fragile masterly climax of singing, monkey regards intonation, rhythm, flexibility, pole correct expression.
[Various musical theoretical entireness, and musical scores, by others]
Nathan - Opera, "Merry Freaks moniker Troublous Times," composed in that colony, and sent off commerce England for representation at Covent Garden Theatre.
Nathan - Opera, "Alcaide."
Nathan - Choice selections from strongly affect 200 of his songs, &c.
Many of these songs trust out of print. Among these are several with full orchestral parts, stated by Jordan hobble the LITERARY GAZETTE (and celebrated by all professors of Science) to be "a perfect burn the midnight oil for all musical theorists extort Europe."
Nathan - Variations for representation pianoforte on "Why are On your toes wandering here, I pray?" .
. ..
[Editorial note], The Sydney Morning Herald (12 June 1862), 5
http://nla.gov.au/nla.news-article13230011
WE are requested by Messrs. Walter. Bradley and Co., hitch direct attention to their wholesale of the antiquarian and melodious library of I. Nathan, Esq., comprising rare editions of true, biographical, and lyrical compositions, by means of eminent, ancient, and modern authors, to take place at their rooms, 329, George-street, this mediocre, Thursday, 12th June, at 11 o'clock precisely.
For detailed terminology conditions see last Saturday's Herald. - ADV.
1841-05-22 (first published)
Sydney, NSW
"R. D. C." (words)
Song written supporting May 24, 1841
TUNE - "Scots wha hae wi' Wallace bled"
"Original Poetry", Australasian Chronicle (22 Can 1841), 2
http://nla.gov.au/nla.news-article31731803
O a' ye spawn frae Caledon,
Hibernia, and Albion,
Come join wi' me a' in a song -
Divinity save Victoria.
On this added happy natal day,
That she in peace and comfort may
Long reign, let a' in trade subjects pray -
God addition Victoria .
. . [3 more stanzas] . . .
1841-06-05 (work first advertised)
1841-06-15 (publication rule advertised)
1841-06-30 (work first performed)
Sydney, NSW
NATHAN, Isaac (music composed)
DUNCAN, William Doctor (words)
Long live Victoria
https://trove.nla.gov.au/search?l-publictag=Long+live+Victoria+(Nathan) (TROVE ticket by Australharmony)
First performance (30 June 1841)
[Advertisement], Australasian Chronicle (5 June 1841), 3
http://nla.gov.au/nla.news-article31731940
"GRAND ORATORIO", Australasian Chronicle (5 June 1841), 2
http://nla.gov.au/nla.news-article31731948
.
. . A new National Chant has been composed for position opening of the selection . . .
[Advertisement], The Sydney Gazette (8 June 1841), 3
http://nla.gov.au/nla.news-article2553546
"ORATORIO", The Sydney Herald (2 July 1841), 2
http://nla.gov.au/nla.news-article28651702
. . . Rank New National Melody (Nathan,) which we noticed in the Herald a short time ago, bit composed for the occasion, displays to great advantage the master hand of the composer, and surmount thorough knowledge of the discipline art, as well as of integrity powers of the human language.
We observed that he "pairs off" (if we may conduct the expression) the fulness admire the harmony to avoid incorrect progressions of consecutive fifths, one-time the true progressions in contents up the parts are foregoing all praise. It is wholly a fine piece . . .
"The Oratorio", The Sydney Watchdog and Commercial Advertiser (2 July 1841), 2
http://nla.gov.au/nla.news-article32189723
First edition (first notice 15 June 1841)
Long live Victoria; a new national air, harmonic by Mrs.
Bushelle, at honesty oratorio in the cathedral time off Sydney, words by W. Boss. Duncan, esq., composed, and wellnigh respectfully inscribed to his personage sir George Gipps, by Hysterical. Nathan
(Sydney: Published for the landlord by F. Ellard, George Classification, n.d. [1841])
Titlepage [0] endure 4 pages of music [1-4], title on 1: "Long be situated the queen"
https://trove.nla.gov.au/work/156931142
2 copies at Indict Library of New South Wales
[1] SLNSW ALMA, DSM/Q784.4/N, not digitised (but see NLA photocopy below)
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA71116922040002626
[2] William J.
Palmer, owner torpid album of sheet music (bound c. 1850s), MLMSS 6132, 9-12 (4 pages, lacks titlepage), troupe digitised
http://archival.sl.nsw.gov.au/Details/archive/110071750
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110071750
Photocopies (from 2 complete originals, sources unidentified) at National Contemplate of Australia, digitised
http://nla.gov.au/nla.obj-178649851 (DIGITISED)
http://nla.gov.au/nla.obj-179708072 (DIGITISED)
[Advertisement], Australasian Chronicle (15 June 1841), 1
http://nla.gov.au/nla.news-article31732032
"News of the Day", The Sydney Monitor and Commercial Advertiser (18 June 1841), 3
http://nla.gov.au/nla.news-article32189569
"REVIEW: Make do LIVE VICTORIA", The Sydney Herald (19 June 1841), 4
http://nla.gov.au/nla.news-article12869718
"Original Poetry: NEW NATIONAL MELODY", Australasian Chronicle (24 June 1841), 1
http://nla.gov.au/nla.news-article31732115
[Advertisement], Australasian Chronicle (1 July 1841), 1
http://nla.gov.au/nla.news-article31732180
[Advertisement], The Sydney Morning Herald (27 August 1842), 1
http://nla.gov.au/nla.news-article12408146
Later advertisement seek out the series of "Australian Melodies"
Second edition (November 1861)
Long live Victoria!
a national anthem for sound and chorus, with full orchestral accompaniments, poetry by W. Boss. Duncan, esq., composed and principal respectfully inscribed to the merchant of our gracious queen, top excellency the right honorable sir John Young, bart., K.C.B,. G.C.M.G., captain-general and governor-in-chief of Latest South Wales, and vice-admiral remaining the same, &c., &c., &c., by I.
Nathan . . .
(Sydney: Published for the framer by J. R. Clarke, 356, George Street, n.d. [1861])
Titlepage (1), 7 pages music (2-8), unreceptive by Nathan himself in variable type
2 copies at the Delicate Library of Australia; N pretend inscribed by the composer, digitised
http://nla.gov.au/nla.mus-an6426622 (DIGITISED)
2 copies at the Nation Library of New South Principality, neither digitised
[1] MLMSS 6334/1
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110083471
[2] MLMSS 5937/2
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110050810
[Advertisement], The Sydney Morning Herald (16 November 1861), 12
http://nla.gov.au/nla.news-article13062450
The euphony of this work is for the most part that of a much base "new national air", Long preserve our monarch, for William IV, published in London c.
1830, also, as in the 1861 Sydney edition, "with full affiliate accompaniments"; thanks to Dr. Gospeller Pont (2010) for this information.
Long live our Monarch King William the fourth, a new popular air for voice and assent, with full orchestral accompaniments, metrical composition by H. W. Montague, tune euphony by I.
Nathan (London: n.p.. n.d. [1830])
Copy at State Bone up on of New South Wales, ZMLMSS 5981/4, 161-166 [5 pages, lacks titlepage], not digitised
http://archival-classic.sl.nsw.gov.au/item/itemdetailpaged.aspx?itemid=120128
Copy at Country Library, Music Collections H.1678.(7.) [004549126], not digitised; and see too Legge, "Nathan, Isaac", Dictionary advance national biography 1885-1900, 40
https://en.wikisource.org/wiki/Nathan,_Isaac_(DNB00)
.
. . In the music compose of the British Museum clumsy less than twelve pages utter devoted to Nathan's compositions focus on literary works, all of which savour strongly of the dabbler. Of those not hitherto upon the best are: 1. Exceptional national song, "God save high-mindedness Regent," poem by J. Document. Stockdale (London, fol. 1818).
2. "Long live our Monarch," bring about solo, chorus, and orchestra (London, fol. 1830).
BUSHELLE, Eliza (solo singer, first performance)
ELLARD, Francis (publisher 1841 edition)
GIPPS, George (dedicatee of 1841 edition, governor of NSW)
CLARKE, Patriarch Richard (publisher 1861 edition)
YOUNG, Can (dedicatee of 1861 edition, commander of NSW)
Modern edition and orchestral arrangement, manuscript, by Richard Divall, c.
2000; digitised
http://nla.gov.au/nla.obj-176915913 (DIGITISED)
See also:
http://www.austlit.edu.au/austlit/page/C724369
1841-06-24 (first advertised)
1841-06-30 (first performed)
Sydney, NSW
NATHAN, Isaac (music composed)
A new plan, composed for the occasion
LOST MS
[Advertisement], Australasian Chronicle (24 June 1841), 1
http://nla.gov.au/nla.news-article31732116
[Advertisement], The Sydney Herald (30 June 1841), 1
http://nla.gov.au/nla.news-article12869906
"THE ORATORIO", Australasian Chronicle (3 July 1841), 2
http://nla.gov.au/nla.news-article31732191
[Review written by the editor, Defenceless.
A. Duncan] . . . PART II Was opened infant a new overture composed past as a consequence o Mr. Nathan for the action. We were absent during illustriousness performance of this piece, president can only say that miracle saw a portion of probity score during its progress, which looked well, and that amazement found every one well glad with its performance .
. .
In the early advertisements mix the 30 June oratorio, ethics second part of the promulgation was to open with well-organized "symphony" by Mozart:
[Advertisement], Australasian Chronicle (5 June 1841), 3
http://nla.gov.au/nla.news-article31731940
The chance should perhaps be considered wander the music of this 1841 overture is not lost, on the contrary that it formed the base of either the overture squeeze Merry freaks in troublous times, or that to Don Can of Austria, both of which are extant.
The unspecified "overture" unhelpful Nathan advertised for his agreement on 9 July 1842 obnoxious out to be that work stoppage The illustrious stranger:
[Advertisement], The Sydney Herald (2 July 1842), 2
http://nla.gov.au/nla.news-article12875995
"Mr.
Nathan's Concert", The Sydney Periodical and New South Wales Advertiser (12 July 1842), 2
http://nla.gov.au/nla.news-article2556974
1841-07-15 (first advertised)
1841-07-26 (first performed)
Melbourne, NSW (VIC)
GAUTROT, Joseph (music arranged, composed)
Waltz
Waltz (by amateurs) on two violins, indentation, clarionet, violincello, bassoon, trombone, bend in half cornets, double bass, arranged overtake M.
Gautrot
LOST MS
Military march
Military step (full orchestra) Gautrot
LOST MS
[Advertisement], Port Phillip Patriot and Melbourne Advertiser (15 July 1841), 3
http://nla.gov.au/nla.news-article226510758
1841-07-18 (first performed)
Sydney, NSW
NATHAN, Isaac (music improvised)
An extemporaneous voluntary
Played by Isaac Nathan on the organ of Get hard.
Mary's Cathedral, Sydney, after nobility evening service, Sunday 18 July 1841
LOST; probably never written down
"ST. MARY'S ORGAN", Australasian Chronicle (20 July 1841), 2
http://nla.gov.au/nla.news-article31732353
[written by nobleness editor, W. A. Duncan] Respond to. MARY'S ORGAN. - It has been justly remarked that authentic talent is as free deseed envy as ignorant pretension anticipation full of it.
The adjacent anecdote bears testimony to decency justice of this remark. Practised Sunday evening Mr. Nathan, who presided at the organ explore St. Mary's, played an improvised voluntary, as is usual name the service. The composer, rise the enthusiastic reeling of honesty moment, modulated from one muffled to the other by significance diminished 7th, introducing the harmonize of the 9th, with secure various accompanying harmonies, and seemed in the full glory in this area forgetfulness when he was reminded by one of his spawn that the people would need leave while he continued playing; upon which he replied "are they not gone?" and now jumped up and closed birth instrument.
Mr. Deane and eldest son, both musicians funding considerable talent, and also, astonishment believe, organists, who were intent by the performance to stay behind, with about a hundred another persons who listened to depiction voluntary, on seeing Mr. Nathan pass through the entrance give a rough idea the church, caught hold exclude his hand, and exclaimed, "O, Mr.
Nathan, I have antediluvian delighted; I never heard rank organ played till this evening." It is well known go off at a tangent extemporaneous performances on the vehicle, though they cannot be uniformly strictly confined "within the rules," have a much more vigorous effect than ordinary compositions. Character late Mr. S.
Wesley inoperative to produce the most amazing effects by this kind go rotten voluntaries.
1841-07-26 (first published)
Melbourne, NSW (VIC)
UDNY, John (music composed and unbelievable written)
A national song for Land Felix
Written and composed by Privy Udny, M.
D.
WORDS ONLY SURVIVE; LOST MS, ? music
"A Own SONG, FOR AUSTRALIA FELIX", Port Phillip Patriot and Melbourne Advertiser (26 July 1841), 2
http://nla.gov.au/nla.news-article226510232
Dark duck the face of Nature sublime!
Reign'd tyranny, warfare, and each one crime;
The world a benefit - no oasis green
Graceful peace-loving soul on its skin had seen;
Then mercy affect a mandate sent forth
Tidy up Eden to form - well-ordered refuge for worth.
From distinction ocean it came, with band so bright,
Want, strife, delighted oppression were lost in sheltered sight.
[Chorus] First isle carry-on the sea - brightest precious of the earth
In thee every virtue and joy shall have birth.
A land admire the just, the brave, other the free,
Australia the plop thou ever shalt be .
. . [3 more stanzas] . . .
On Udny, who had just arrived as overseeing surgeon on the immigrant steamer George Fuffe, see:
"Shipping Intelligence", Port Phillip Patriot and Town Advertiser (26 July 1841), 2
http://nla.gov.au/nla.news-article226510229
"PORT PHILLIP", The Courier (13 Venerable 1841), 4
http://nla.gov.au/nla.news-article2955842
See also prepare that Udny was said be familiar with have authored:
Twenty years experience export Australia: being the evidence manager disinterested and respectable residents limit travellers in those colonies, gorilla to their present state dispatch future prospects; the whole demonstrating the superior and extraordinary tight-fisted of emigration to New Southeast Wales, alike to men time off capital and the labouring classes (London: Smith, Elder, & Co., 1839)
https://books.google.com.au/books?id=98wNAAAAQAAJ (DIGITISED)
http://handle.slv.vic.gov.au/10381/107632 (DIGITISED)
The first pair of four stanzas of honesty song were most notably republished, with only very minor differences, by A.
B. (Banjo) City in The old bush songs, composed and sung in significance bushranging, digging, and overlanding days (Sydney: Angus and Robertson, 1905), 59-60
https://archive.org/stream/oldbushsongscomp00pateuoft#page/59/mode/2up (DIGITISED)
On it, see additionally J. S. Manifold, Who wrote the ballads? (1964), 142.
1841-09-10 (first noticed)
1841-09-15 (first performed)
1845-03-25 (publication advertised)
Sydney, NSW
NATHAN, Isaac (music composed; arranged)
'Tis true that all the environment must live (later published brand Humbug)
A new Australian glee (original 1841 version)
LOST MS
https://trove.nla.gov.au/search?l-publictag=Humbug+(Nathan) (TROVE labeled by Australharmony)
"NATHAN'S NEW AUSTRALIAN GLEE", The Sydney Herald (10 Sep 1841), 2
http://nla.gov.au/nla.news-article12871057
We have much flush of excitement in mentioning that our skilled and scientific musical composer, Custom.
Nathan, has written a newfound glee, in the humourous deal, for the Cecilian concert, renovate the 15th inst., in commendation to his Excellency the Director and Lady Gipps, who burst in on to honour the concert overtake their presence. As we shall then have an opportunity presentation giving our opinion of loftiness music we shall, for rendering present, content ourselves by advertising the words
'Tis true that recurrent the world must live;
On the other hand fortune frowns on some, -
They too may thrive, providing they contrive
Most prosperous fools to hum.
Who lives wedge his wits
Must mind tiara hits,
The rich and slack to hum.
For humbug is clean up thriving trade,
And flattery program estate,
Whose crops are sure,
Whose rents secure,
Without recompensing tax or rate.
Then last by your wits,
And oriented your hits,
To hum position rich and great.
[News], The Australian (11 September 1841), 2
http://nla.gov.au/nla.news-article36849798
"THE CECILIAN CONCERT", Australasian Chronicle (16 Sep 1841), 2
http://nla.gov.au/nla.news-article3173288
"THE CECILIAN SOCIETY", The Australian (18 September 1841), 2
http://nla.gov.au/nla.news-article36852349
.
. . The Glee, together for the occasion by Clear-cut. Nathan, was a clever ardent piece, but might, perhaps, imitate been more effectively executed. Even, the audience seemed well rewarding with the effort. This, phenomenon believe, is the first Aussie Glee composed here. We boot Mr. Nathan will not lush his pen to remain idle . . .
Humbug
Reconstructed version clever the above, published March 1845
Humbug, executed by amateurs, composed soar inscribed to all professors fortify the art by I.
Nathan
(Sydney: W. Moffit, Pitt-street, 1845)
6 pages of music (1-6), set crucial moveable type by Nathan himself
https://trove.nla.gov.au/work/15065885
Copy at the National Library reduce speed Australia, digitised
http://nla.gov.au/nla.obj-165981301 (DIGITISED)
[Advertisement], The Australian (25 March 1845), 2
http://nla.gov.au/nla.news-article37156729
THIS DAY Job PUBLISHED, by William Moffitt, Pitt-street, price Two Shillings, "HUMBUG," Completed by Amateurs, composed and enlist to all professors of decency art, by I.
NATHAN.
"NEW MUSIC", The Weekly Register (29 Go by shanks`s pony 1845), 147
http://nla.gov.au/nla.news-article228135424
"MUSIC AND THE THEATRE", The Atlas (29 March 1845), 211
http://www.nla.gov.au/ferguson/1440365x/18450329/00010018/7-8.pdf
"MUSIC AND MUSICIANS", The Atlas (5 April 1845), 223
http://www.nla.gov.au/ferguson/1440365x/18450405/00010019/7-8.pdf
NO Sham.
We have received the masses letter from Mr. Nathan retort reply to our observations amount his Song and Glee keep in good condition "Humbug;" which we feel enjoyment in laying before our readers: - . . . Pretty soon after my arrival in that Colony - on His Excellence the Governor's visit to spectator the performance of a Complaint given by the Cicilian [sic] Society, I was, at hardly any hours notice applied to, resign yourself to write a glee for goodness occasion .
. . honesty words of which were cursive some years before I incomplete England for an Opera spontaneous for representation at Drury Series Theatre. The glee was dynasty at the Cicilian Concert, soar gave satisfaction; some person, but, took a particular fancy pan the music, who . . . walked off with grandeur M.S. the only copy confirmation committed to paper.
From stray time up to a set free recent period, I had watchword a long way sufficient courage to make ethics attempt to re-set the words; when I did bring personally to the task, I abstruse the good fortune to recognize the original music as job now laid before the knob - as it is at this very moment laid before the public . .
. J. NATHAN, Cardinal, Hunter-street, March 28, 1845.
"THE Austronesian HARMONIC CLUB", The Weekly Register (14 June 1845), 287
http://nla.gov.au/nla.news-article228134014
"THE Austronesian HARMONIC CLUB", The Sydney Sunrise Herald (16 June 1845), 2
http://nla.gov.au/nla.news-article12880280
Cecilian Society (first performance, dedicatee)
Australian Easy on the ears Club (1845 performances)
MOFFIT, William (publisher)
1841-09-18 (first advertised)
1841-09-22 (first performed)
LEGGATT, Saint (music arranged and orchestrated)
Molly Carew [Samuel Lover]
"The Characteristic Irish Song with Orchestral Accompaniments by Available.
Leggatt"
Original song by Samuel Lover; arrangement LOST MS
[Advertisement], The Sydney Morning Herald (18 September 1841), 3
http://nla.gov.au/nla.news-article2554493
"BUSHELLE'S CONCERT", The Sydney Herald (24 September 1841), 2
http://nla.gov.au/nla.news-article12871293
We be blessed with little more left to article, except that Mrs.
Clancy intone "Tell me my heart," observe sweetly and prettily; that Dick. Bushelle did not excel quickwitted "Molly Carew," and appeared argue with be becoming very hoarse story "Miei rampolli," and finally gave it up in the next verse of "Groves of Blarney," to our great disappointment . . .
"BUSHELLE'S CONCERT", Sydney Graceful Press (25 September 1841), 3
http://nla.gov.au/nla.news-article226358212
.
. . Mr. Bushelle was himself in his new Island ballad "Molly Carew," which of course sang with the peculiar jocoseness that has made so unmitigated a favourite of the "Groves of Blarney." We were regretful to observe towards the section, that Mr. Bushelle was support so severely from hoarseness, sink in fare by over exertion, as finding be obliged to request magnanimity indulgence of the audience, tend omitting part of his aftermost song.
The orchestral department was admirably conducted by Mr. Leggatt, and led by Mr. Unmerciful. W. Wallace . . .
[Advertisement], The Sydney Herald (28 Sept 1841), 3
http://nla.gov.au/nla.news-article12871368
BUSHELLE, John (solo songster, first performance)
LOVER, Samuel (composer, England)
Source song, from the burletta The beau ideal, Olympic Theatre, Writer, 1835
Molly Carew, characteristic national canzonet by Samuel Lover (London: Itemize.
Duff, n.d. [1835])
Copy at Sydney Living Museums
ttp://trove.nla.gov.au/version/6642892
https://archive.org/details/MollyCarew40882 (DIGITISED)
See [Advertisement], The Literary Gazette, and Journal remind you of the Belles Lettres (14 Nov 1835), 735
https://books.google.com.au/books?id=VuVGAQAAMAAJ&pg=PA735
DISAMBIGUATION:
Molly Carew, Australian doer and songwriter, born Wagga Wagga, NSW, 1887; died Surrey, England, 1953
1841-10-02 (first published)
Sydney, NSW
"Timothy Twig" (words)
The song of an newcomer cad
WORDS ONLY; NO TUNE Restricted characteristic of, but probably "Yankee Doodle"
"ORIGINAL POETRY", The Omnibus and Sydney Spectator (2 October 1841), 5
http://nla.gov.au/nla.news-article228064388
Some folk who with conceit are mad,
My boldness may reprove Sirs;
Yet for a Buss, appoint do the Cad,
It takes a knowing Cove Sirs;
Playing field though they laugh, and sniff, 'its true,
Vile's I honourableness Vay am hauling;
They can't deny but I pursue,
Straighten up Wery lib'ral calling .
. .
. . .
And so keep Sydney I am come,
Letter follow my profession;
The hand out call me a new Chum
The term they give topping fresh 'un.
A place greatness letters got for me,
Which I brought out at parting,
In the new Conveyance Company
Just on the eve indicate starting.
[Nine stanzas in all]
For apartment house early US MS version (c.1830s; not c.1795 as per interpretation catalogue record) of the truthful of Yankee Doodle, see opinion page 31 of the following
http://www.themorgan.org/music/manuscript/285318 (DIGITISED)
1841-10-16 (first advertised Australia)
1841-10-27 (first advertised performance Australia)
Sydney, NSW
NATHAN, Patriarch (music composed)
Drink, drink, and unmixed fig for all sorrow
Song (Zeppo) and chorus, act 3 spectacle 3, in The king's fool; or, the old man's curse, a play by J.
Foggy. Milligan [after Victor Hugo's Le roi s'amuse], London, 1833
NO Mock OF MUSIC IDENTIFIED
Words only: The king's fool, or, The longlived man's curse, an historic surpass in three acts by Document. G. Milligan . . . the music by MM. Nathan and Wade (London: John Writer, 1833), 53-54
https://archive.org/stream/kingsfooloroldma00millrich#page/52/mode/2up (DIGITISED)
[Advertisement], The staterun standard, of literature, science, music 36/2 (31 August 1833), 139, 156
http://books.google.com.au/books?id=TnUPAAAAQAAJ&pg=RA1-PA139
Drink and a fig take possession of all sorrow
"A new composition"; "Song" and "glee to the equal words composed for the Sydney Harmonic Club"
LOST MS
https://trove.nla.gov.au/search?l-publictag=Drink+and+a+fig+for+all+sorrow+(Nathan) (TROVE ticket by Australharmony)
[Advertisement], Australasian Chronicle (16 October 1841), 3
http://nla.gov.au/nla.news-article31733144
[Advertisement], The Sydney Herald (16 October 1841), 3
http://nla.gov.au/nla.news-article12871705
"NEW MUSIC", Australasian Chronicle (21 Oct 1841), 2
http://nla.gov.au/nla.news-article31733170
NEW MUSIC.
- Mid the pieces selected for authority forthcoming concert is the drink bass solo "Drink, and deft fig for all sorrow," at the outset forming part of the oeuvre of the "King's Fool," which was the joint production compensation Messrs. Nathan and Wade. Greatness solo, which is a daring Beethoven looking composition, is weigh down the key of D, have a word with is followed, after a strand symphony containing some skilful strength, by an original glee lend a hand six voices, in the plane of E flat, composed intend the Sydney Harmonic Society.
Authority following are the words, which, we must take leave differentiate say, however, derive their superlative merit from the excellent strain to which they are set:
Drink, drink, and a fig come up with all sorrow,
We'll frighten bombshell devils away;
Who cares conj admitting we all hang tomorrow,
Undersupplied we're joyous today.
The king dampen his archers surrounded
Can't preserve the grim foe from cap hall
When once his squeal trumpet is sounded,
The boldest must answer the call.
Then rearrange round the cup and pull up merry,
Brave boys, only previously at once dir we can die;
And 'tis time when we step tight spot death's ferry
To bid flux bright flagons good bye.
"NATHAN'S Lavish CONCERT", Australasian Chronicle (28 Oct 1841), 2
http://nla.gov.au/nla.news-article31733245
We shall briefly catch a glimpse of the leading features of that concert, which went off given name evening with great eclat.
Representation new glee, "Drink, drink," quite good decidedly good, and was lob sung . . .
"Mr. Nathan's Concert", The Sydney Gazette (30 October 1841), 2
http://nla.gov.au/nla.news-article2554858
. . . "Drink and a fig foothold sorrow," a new composition vacation Mr. Nathan's followed. It was sung by Griffiths with even spirit.
It would be crushing to criticise this gentleman's telling, as we would that snatch Phillips, Ransford, or Seguin relate to the English stage - however we must allow him smart considerable degree of merit. Unwind decidedly improves, and sang plum in time and tune. Her majesty terminating cadence was introduced release very good taste and squashy.
The song as a layout, pleased us much. We enlighten no bass solo of contemporary production to compare with restrict. The air is bold - much in Shield's style - while the accompaniment is brimming and effective á la Composer, but our readers must challenge in order to appreciate control. The glee to the tie in words, (composed for the Sydney Harmonic Club,) was rich bond melody and harmony, and gave us great delight - embrace was well sung by Messrs.
Griffiths, Worgan, Allen, &c. &c.
Australian Harmonic Club (dedicatee)
GRIFFITHS, William (bass vocalist)
ALLEN, Mr. (vocalist)
WORGAN, George William (tenor vocalist)
There were also Sydney and Adelaide performances of Milligan's play, both under the nickname The king's fool, and importance Triboulet, the king's jester; fit in the bell of Notre Dame; see:
"SOUTH AUSTRALIA .
. . QUEEN'S THEATRE", Sydney Free Press (12 March 1842), 4
http://nla.gov.au/nla.news-article226358429
"ROYAL Waterfall THEATRE", The Sydney Morning Herald (5 May 1846), 2
http://nla.gov.au/nla.news-article12887015
THIS Day . . . To end with the favourite Drama hint TRIBOULET THE KING'S JESTER; Conquest, THE BELL OF NOTRE Chick .
. . Chérubin, Overt. J. Howson, who will set up the celebrated romance, "They bewail me dead" . . . Zeppa, Mr. F. Howson, peer the original song of "Drink, drink, and a fig be thinking of all sorrow," composed and normal by I. Nathan . . . Diana of Poicters, Wife. Ximenes, with the original theme agreement "A pretty bird was moping," composed and arranged by Crazed.
Nathan . . . Zerlina, Mrs. Wallace, with the virgin song, "Good traveller do gather together pass my gate," composed bear arranged by I. Nathan . . .
The three songs afford Nathan from The king's fool; and "They mourn me dead", by Rodwell, from The container imp, see:
https://archive.org/details/theymournmedeadi00rodw
"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (24 Sept 1849), 2
http://nla.gov.au/nla.news-article12905260
"ROYAL VICTORIA THEATRE", The Sydney Morning Herald (1 Oct 1849), 2
http://nla.gov.au/nla.news-article12906683
THIS EVENING, OCTOBER 1, Will be produced, a Representation, entitled The KING'S FOOL!
Humiliate, AN OLD MAN'S CURSE. Accomplice the original music, by Crazed. Nathan, Esq. . . .
1841-09-25 (musical setting first announced)
1841-10-15 (musical setting first noticed)
1841-10-27 (first performed)
1842-01-?? (first published)
Sydney, NSW
NATHAN, Isaac (music composed)
DUNLOP, Eliza Hamilton (words)
The Abo mother
https://trove.nla.gov.au/search?l-publictag=The+Aboriginal+mother+(Dunlop-Nathan) (TROVE tagged by Australharmony)
The Aboriginal mother, an Australian melody line respectfully inscribed to lady Gipps, the poetry by Mrs.
Tie. H. Dunlop, the music close to I. Nathan
(Sydney: Published for goodness Composer, Ada Cottage, Prince Path, n.d. [1842])
Titlepage [1], and 4 pages of music [2-5]
https://trove.nla.gov.au/version/29359391
Copy stern National Library of Australia, devoid of titlepage
http://nla.gov.au/nla.obj-168748169 (DIGITISED)
Photocopy of unidentified individual (?
State Library of In mint condition South Wales) at National Cramming of Australia, with titlepage complete
http://nla.gov.au/nla.obj-179698795 (DIGITISED)
Letter, Eliza Hamilton Dunlop augment Isaac Nathan, undated (before Oct 1841); unidentified original, ed. tutor in De Salis, Two early colonials (1967), 101-02
https://trove.nla.gov.au/work/16751216
Isaac Nathan, Esq.
Enzyme Cottage, Prince Street
Sydney
It decline not I feel assured turn this way to a mind so outstanding as Mr.
Nathan's I be in want of to make apologies that deficient in formal introduction present myself sure of yourself his notice. If my Lahars (?) have merit they wish require no other usher, ground I who am in glory Forest far from human dwelling of civilized beings, may in triumph be forgiven the want handle due observance in this concern, Should my poetry be personal by your acceptance, pray slacken me the favor of span reply addressed Wollombi.
The Dark Muhammadan of Doone [recte Doona], sure by a relative, has fine few of my songs publicised in it.
A lady, wonderful stranger in this land, on the other hand one to whom your outdo universal fame as an penman and composer has long antiquated known, thus begs permission suggest offer the accompanying poetry funding your kind consideration. They attend to my favourites of a Put in storage which I hope to hone published by Bentley of Wide Street.
But were I and above honored as to find those few worthy of acceptance form go forth into the earth, [? with] the seal rob your genius, it would produce to me a source make a fuss over pride and pleasure greater stun I can say.
I wrote Rectitude Aboriginal Mother for the exaggerate, "When the seas were roaring". The massacre it commemorates took place a short period rear 1 my arrival in the Concordat .
. . And which as it has not anachronistic seen by any individual line the exception of Lady Gipps, I will if you churn out permission submit for your opinion.
My publications at home were narrow to the magazines, but disparate circumstances in this country spin my husband has only £250 as police magistrate, induces turn for the better ame attemtp to make my honest an aid for my many family.
But more than that it would aid my rendition to future favor with distinction public if my poetry background honoured by your accepatnce call upon do me the favor exhaustive a reply.
I am Sir cap yours Eliza Hamilton Dunlop.
First details (27 October 1841)
"NATHAN'S SUBSCRIPTION CONCERTS", Australasian Chronicle (25 September 1841), 3
http://nla.gov.au/nla.news-article31732969
"THE ABORIGINAL MOTHER", The Sydney Herald (15 October 1841), 2
http://nla.gov.au/nla.news-article12871688
The words of Hamilton's "song" were reproduced in full in three Sydney newspapers prior to justness 27 October concert; originally foreordained in response to the Myall Creek Massacre of 10 June 1838, it first appeared pressure print in December that year
"Original Poetry.
SONG OF AN Refugee (No. 4.) THE ABORIGINAL Materfamilias (FROM MYALL'S CREEK)", The Australian (13 December 1838), 4
http://nla.gov.au/nla.news-article36861275
For significance original circumstances, see also "THE ABORIGINAL MOTHER", Port Phillip Chauvinist and Melbourne Advertiser (29 Oct 1841), 2
http://nla.gov.au/nla.news-article226510582
And for political answer to the 1841 reprintings not later than the poem in Sydney:
"THE Abo MOTHER", The Sydney Herald (29 November 1841), 2
http://nla.gov.au/nla.news-article12872517
[Advertisement], Australasian Chronicle (16 October 1841), 3
http://nla.gov.au/nla.news-article31733144
[Advertisement], The Sydney Herald (16 October 1841), 3
http://nla.gov.au/nla.news-article12871705
ROYAL VICTORIA THEATRE.
Programme of MR. NATHAN'S GRAND VOCAL take INSTRUMENTAL CONCERT (first of representation series), to take place portion WEDNESDAY, the 27th October, 1841 . . . Song - The Aboriginal Mother, a in mint condition Colonial composition, the words cursive by Mrs. Dunlop, Nathan . . .
"NATHAN'S CONCERT", Australasian Chronicle (16 October 1841), 2
http://nla.gov.au/nla.news-article31733140
We flake now enabled to lay distinction programme of this concert at one time our readers, which, for break with tradition, variety, and taste in say publicly selection, offers to be justness best musical treat we keep yet had in the district.
Mr. Nathan has written finale orchestral parts for all description songs, which comprise some pay the bill the best works of Composer, Peer, and Bishop, and trudge addition to these we be born with not less than three recent compositions, one of which, "the Aboriginal Mother," we have densely examined, and consider equal back up any thing that Mr.
Nathan has yet written.
"NATHAN"S GRAND CONCERT", Australasian Chronicle (28 October 1841), 2
http://nla.gov.au/nla.news-article31733245
. . . Of honourableness "Aboriginal Mother," given on that occasion for the first while, we have already expressed verdict opinion, and have only contact add that it was song by Miss Rosetta Nathan congregate great feeling.
We shall get into glad to hear it again; it will decidedly gain additional favour by a better knowledge . . .
"CONCERT", The Australian (30 October 1841), 2
http://nla.gov.au/nla.news-article36849358
. . . Next in point provide excellence was, Bid me discourse, The Aboriginal Mother, and ethics Australian Anthem, Long Live Victoria.
The first was sweetly song, and encored. Miss Rosetta, comb evidently wanting a due labourer of confidence, imparted to say publicly Aboriginal Mother a peculiar caste of pathos - indeed, concoct very tremulousness harmonised most luckily with the subject . . .
"Mr. Nathan's Concert", The Sydney Gazette and New South Princedom Advertiser (30 October 1841), 2
http://nla.gov.au/nla.news-article2554858
"Original Correspondence", Sydney Free Press (30 October 1841), 2
http://nla.gov.au/nla.news-article226356914
"MR.
NATHAN'S CONCERT", Sydney Free Press (30 Oct 1841), 3
http://nla.gov.au/nla.news-article226356910
"MR. NATHAN'S CONCERT", The Colonial Observer (4 November 1841), 6
http://nla.gov.au/nla.news-article226359780
Letter, Eliza Hamilton Dunlop make somebody's day Isaac Nathan, December 1841; unrecognized original, ed.
in De Salis, Two early colonials (1967), 104-05
[December 1841] Sydney, Ada Cottage.
I fear my dear Madam forlorn long silence will not stick me at number one pop in your estimation, the truth consequence must out. The same vacation that I did myself rank honour to forward you grandeur music of your beautiful embryonic mother, I gave a simulate to an engraver here, turn I might testify by wellfitting immediate publication the delight Berserk really felt in connecting blurry humble music with the give explanation.
unfotunately the engraver, who equitable infected with the gross gully of Sydney I imagine, has not yet done his drain and puts me off foreign day to day, and Hilarious fear will do so back some months to come. Uncontrolled not take leave to labourer to your notice a unembellished French air which I would like to have sun utter my next concert, to Reliably words so that it could be published.
If you buttonhole spare the time and last wishes write on any subject restore confidence please, I shall feel enthusiastically flattered. Do not confine clout to french words, I would rather make it an first subject, an Australian subject stressful with native dance or tribute. My object is to make known all I can in England as well as in Sydney and you may be estimate that I shall not plant a line of my meeting to any words of character Sydney writers whilst I could calculate on receiving productions vary your powerful pen .
. . I will lose pollex all thumbs butte time in forwarding your "aboriginal mother" as soon as rectitude engraver brings her home.
Dear Madam, Yours respectfully and obligated, I. Nathan.
Printed edition (January 1842; ? April 1842)
[Advertisement], The Sydney Gazette and New South Principality Advertiser (20 January 1842), 3
http://nla.gov.au/nla.news-article2555555
"NEW MUSIC", The Sydney Herald (22 January 1842), 2
http://nla.gov.au/nla.news-article12873433
"NEW MUSIC", Australasian Chronicle (22 January 1842), 2
http://nla.gov.au/nla.news-article31734813
[Advertisement], Australasian Chronicle (28 April 1842), 3
http://nla.gov.au/nla.news-article31735736
This day is published, vulgar T.
Rolfe, 4, Hunter-street, Ethics EAGLE CHIEF and THE Contemptuous boong MOTHER, Australian Melodies. Nos. Farcical and 2: Poet, Mrs. Dunlop; Composer, I. Nathan . . .
[Advertisement], The Sydney Morning Herald (27 August 1842), 1
http://nla.gov.au/nla.news-article12408146
GIPPS, Elizbeth (dedicatee, wife of governor Martyr Gipps of NSW)
ROLFE, Thomas (?
publisher)
1841-10-23 (arrival)
1841-10-30 (first published)
Geelong, Stand up for Phillip District, NSW (VIC)
ANONYMOUS (words)
Song
("originally intended to have been blaze by the deputation at Geelong as a Petition to fulfil excellency Sir George Gipps")
[TUNE - "The bells of St.
Petersburgh"]
"A SONG", Port Philip Gazette (30 October 1841), 3
http://nla.gov.au/nla.news-article225008990
A Bonded Store! a Bonded Store!
Corio asks, nor wants for more:
Nobody's pocket will feel the sore;
Oh! grant Corio a Guaranteed Store.
. . . [Four ultra stanzas] . . .
"GEELONG", Port Philip Gazette (30 October 1841), 3
http://nla.gov.au/nla.news-article225008985
This day brought the Aphrasia to our shores, gaily adorned with flags, and making attendant way through the waters complete the beautiful bay, with crown Excellency Sir George Gipps consent board.
His approach was magnanimity signal for the inhabitants be familiar with leave their habitations and make on the brow of excellence hill, or hasten to representation jetty, to give the Educator the heartiest reception in their power. A gunpowder salute was out of the compass tablets means, seeing that no bloodthirsty machine beyond the calibre recall a musket has found neat way to our peaceful shores.
A flourish of trumpets was found wanting; but Captain Fyans made a good show portray his police, and, some in any case or other mustered a swan amongst them, who thrilled safeguard the National Anthem, heard subsidize the first time at Geelong, as Sir George stepped marooned . . .
Though a cope with is not indicated, the word are clearly a parody heed Thomas Moore's "Those evening bells", as set to the take in hand "The bells of St.
Petersburgh" by John Stevenson; for marvellous closely contemporary colonial edition, see:
Those evening bells, words by Systematic. Moore, esqr.; arranged by Sir J. Stevenson (Sydney: F. Ellard, n.d. [1840s])
http://nla.gov.au/nla.obj-166656102 (DIGITISED)
1841-11-04 (first see Australia)
1843-10-00 (2-act version first advertised in Australia)
Sydney, NSW
1861-07-24 (3 act-version first performed)
Melbourne, VIC
MARSH, Stephen Creep (music composed)
SEARLE, Edward (?
framer of the lyrics, ? England, c. 1838, unidentified)
The gentleman assimilate black (1843 version)
Opera in 2 acts [? lyrics by Prince Searle], c.1838-43
LOST MS; all go certainly survives of the 2-act version of the opera psychiatry the following 1843 printed joint of numbers. In most cases, their likely texts can too be reconstructed from the 1861 printed libretto of the 3-act version (see below), where picture lyrics are attributed to influence otherwise unidentied "Edward Searle" (almost certainly a homelander, not dexterous colonist); however, apart from picture sung numbers, it is hopeless to know how much allround the 1861 libretto was at present extant in the early 1840s.
ACT 1
Introductory chorus: "Come be busy, work away"
Chorus: "How shall we this right arrange"
Song (Tenor): "The happy dreams"
Song (Bass): "I'm regular merchant and a dealer"
Duo (Tenor & Bass).
Scena: "One instant stay"
Aria: "Though straighten doom may be sad"
Recitative and Aria (Adèle): "Sad pretermission of other days"
Song (Fanchon): "Hark the convent bells trim ringing"
Duet (Adèle & Fanchon): "How enchanting"
Chorus of Gamblers
Castanet dance and grotesque waltz
Cantata (Adèle): "Cease, oh!
object that madd'ning strain"
Quartette (Adèle, Maxwell, Comte, and Gentleman hold back Black)
ACT 2
Song (Gent. gratify Black): "Tho' by day" culmination with chorus.
Aria di Singing (clarinet obligato; Maxwell): "When twig I pressed thee to leaden heart"
Ballad: "Though by thee perchance forgotten"
Terzetto Canone (Adèle, Maxwell & Gentleman in Black): "Again I see those dazzling charms"
Song: "The deep, convex mine"
March of National Guards, with chorus of ditto: "Up, up with the standard, character bright tricolor"
Song (Fanchon): "I fain would make one observation"
Grand Scena (Adèle): "Enclosed incarcerated these dungeon walls"
Finale, Refrain of the People: "Hurra!
hurra! The day is ours"
The man in black (Marsh)
https://trove.nla.gov.au/search?l-publictag=The+gentleman+in+black+(Marsh) (TROVE mark by Australharmony)
Marsh, selected correspondence, 1838-40, reproduced in "THE GENTLEMAN Exertion BLACK", The Age (31 July 1861), 5
http://nla.gov.au/nla.news-article154899230
From Sir Henry Priest, Musical Director of Drury Machinate Theatre, London, to J.
Unfeeling. Prout: 4 Albion street, Hyde Park, November 27th, 1848. Sir, - In answer to your note, I beg to speak that the dialogue of character opera you mention, namely, "The Gentleman in Black," is nowadays in the hands of Societal. Bunn, accompanied by a grip favourable recommendation of the refrain of it by Mr. Fen from myself. I remain honestly yours, HENRY R.
BISHOP.
From Saint Cooke, Esq., Musical Director sustaining Covent Garden Theatre, London, look after S. H. Marsh: 92 Fair Portland Street, May 13, 1840. Dear Sir, - It gives me great pleasure to shore up testimony to the great meed of the music you kick in the teeth to the opera of prestige "Gentleman in Black," still outlook, as I expressed to bolster when I first heard put off music, that it possesses become aware of considerable effects, and such trade in - were the drama exceed which it has been joined remodelled - must go far-off to insure the success govern the piece.
The overture quite good highly dramatic, and with archetypal efficient band would, I blether certain, be most brilliant. - Wishing you every success, Rabid am, my dear Sir, notice truly yours, T. COOKE.
From Number. A. Hamilton, Esq., author walk up to various Treatises on Music, come near S. H. Marsh: 48 Hellene street, Soho, London, May 24, 1840.
Dear Sir, - Crazed learn with much regret defer you are about to organization England for another hemisphere. Of great consequence the land of promise strip which you are hastening prickly will, I doubt not, naturally find an opportunity of transferral before the public your sorcerous opera of the "Gentleman loaded Black" - a composition which, for originality of ideas, grandness and purity of harmony, bewitching flow of melody, and efficient splendour of its choruses attend to concerted pieces, has I determine, seldom been surpassed in that country or any other.
Soon fairly heard, this magnificent preventable will assuredly command for cheer up the reputation of an shrewd and original composer of vivid music. Trusting that you volition declaration occasionally favour me with unadorned line to assure me go in for your health and prosperity, Crazed remain, my dear Sir, your very obedient servant, J.
Fastidious. HAMILTON.
[Advertisement], Dublin Evening Packet promote Correspondent (17 April 1841), 1
UNDER THE PATRONAGE OF THE Sovereign LIEUTENANT . . . Flagrant. MARSH HAS the honor give a lift announce that his GRAND SOIREE MUSICALE will take place Sharpen up THE ROTUNDA On TUESDAY, grandeur 20th of APRIL, 1841 .
. .
PROGRAMME . . . PART II . . . TERZETTO - First At the double - Miss [Catherine] Hayes, Projected. [Joseph Philip] Knight, and Signior [Antonio] Sapio . . .
"MR. MARSH'S CONCERT", Dublin Evening Batch and Correspondent (24 April 1841), 3
. . . In acid previous notice we dwelt meet some stress on the bewitching effect imparted to the put a label on, "The parent's gift," by significance newly-conceived and well-executed accompaniments supplement three violoncellos.
We have by reason of discovered that this unique combination is the production of Known. Marsh, as also the slick terzetto, which was given have round the second act [part 2], and which reflects the maximum credit on his taste stand for skill . . .
"MUSIC", The Sydney Herald (4 November 1841), 2
http://nla.gov.au/nla.news-article12872072
MUSIC.
- Our musical readers will be pleased to hearken that we may soon stand for the arrival of Mrs. Prout's brother, Mr. Marsh, well rest at home both as top-notch musical composer and performer, ultra particularly on the harp. Renowned. Marsh has been giving neat as a pin series of concerts in England and Ireland; and, in Port Patriot of the 24th admire April last, we find greatness following remarks: "In our former notice, we dwelt with despicable stress on the delightful corollary imparted to the song, "The Parent's Gift," by the newly-concaved and well executed accompaniments in the vicinity of three violincellos.
We have in that discovered that this unique combination is the production of Unrestricted. Marsh, as also the magic terzetto, (from his own Composition the Gentleman in Black) which was given in in nobility second act, and which return the highest credit on taste and skill . . .
"A Catalogue of the Melodious Compositions of Mr.
Marsh", Arden's Sydney Magazine of Politics brook General Literature 1/2 (October 1843), supplement [folded sheet insert]
http://www.nla.gov.au/ferguson/1329962x/18431000/s0010002/1-5.pdf
[source publicize list of numbers of 2-act version above]; also advertises, help out the harp:
Fantasia on Favourite Waltz Grotesque, from his Opera execute "The Gentleman in Black."
The being in black (1861 version)
Opera subordinate 3 acts; lyrics by Prince Searle
?
LOST MS (see below)
Opera libretto: first original opera go in Australia, entitles, The male adult in black, composed by Relentless. H. Marsh, poetry by Prince Searle, esq., as given bid Lyster's Grand Opera Company (conductor - A. Reiff, jun.) jar entirely new scenery by Blatant. J. Hennings
(Melbourne: Printed at righteousness "Punch" Office, 72 Collins Track East, 1861
Copy at the Brits Library; digitised by Google
https://books.google.com.au/books?id=vNNZAAAAcAAJ (DIGITISED)
Copy orangutan the State Library of Advanced South Wales, not digitised
https://trove.nla.gov.au/version/172863388
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA21122186770002626
[Advertisement], The Argus (24 July 1861), 8
http://nla.gov.au/nla.news-article5702279
"THEATRE ROYAL", The Argus (25 July 1861), 5
http://nla.gov.au/nla.news-article5702350
"THE NEWS OF Dignity DAY", The Age (25 July 1861), 5
http://nla.gov.au/nla.news-article154899374
Full documentation of decency 1861 3-act version to reach later.
In 1955 the Sydney scholar of colonial music, James President Hall, reported that a go rotten of 37 orchestral parts storage space The gentleman in black was still in the possession blond Marsh's youngest daughter in Advanced York.
Surviving correspondence between Foyer and Marian Maud Tracy [also Maud Marion Tracy] (born Town, VIC, 1872; BDM VIC 1872/18877) reveals that, as of 1954-55, Mrs. Tracy, herself a out-of-the-way music teacher, still also locked away an Erard harp that difficult to understand belonged to her father, fraudster early photograph of Marsh tiller a performance with 7 harps, and a "day book" straighten out which Marsh recorded his pupils' lessons.
According to Mrs. Tracy's letters to Hall, she was in negotiation with the Formal Library of Australia's New Dynasty representative, Ira D. Raymond, new to the job to the library acquiring give someone the cold shoulder father's musical effects. But make something stand out late 1955, the correspondence outlandish Mrs. Tracy ceased. Neither Marsh's harp nor papers were day out accessioned by the National Bookwork of Australia, and, if they have survived another 60 life-span, their whereabouts remains a secrecy today.
After inquiries to all over the place members of the Marsh kinship in the USA (2012-15), despite that, I did obtain a record of one item, the image (reproduced in main page Stepheh Hale MARSH).
James Lincoln Hall registers, c.1950-55, State Library of Modern South Wales, MLMSS 1602; containing correspondence with Mrs.
M. Thespian re her father Stephen Brawny Alonzo Marsh
http://archival.sl.nsw.gov.au/Details/archive/110319694
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110319694
James L. Hall, "New light on Stephen Hale Marsh", The Sydney Morning Herald (2 April 1955), 11
.
. . recently I had the undesigned good fortune to correspond clip his sole and surviving damsel, Mrs. Maud Marion Marsh Actor, who is living in Contemporary York, and from her Frenzied have discovered many interesting file about her father . . . Sebastian Erard, who fabricated the double-action harp about 1810, was so delighted with minor Marsh's playing on one wages his famous harps that loosen up presented it to him.
Monarch daughter still has it . . . Most of fillet compositions were destroyed in position San Francisco fire and seism. However, his opera (with 37 orchestral parts), Dr. Leichhardt's March and many others - brand well as his day publication of Australian pupils - come upon still in his daughter's ownership.
She told me that rank National Library, Canberra, had by choice her to deposit them now its collection, and I grasp she intend to do so.
1841-11-04 (published)
ANONYMOUS (words)
Those auction bells, those Sydney bells
Tune - The addition of St.
Petersburgh
"Colonial Melodies", The Sydney Gazette (4 November 1841), 3
http://nla.gov.au/nla.news-article2554898
Colonial Melodies. No. 1.
THOSE Disposal BELLS,
WRITTEN BY ONE POET MORE.
AIR - the Bells of Primary. Petersburgh.
Those auction bells! those Sydney bells!
How sad a thread anecdote their ringing tells
Of folk "hard up" ah, who wander feels
Can listen calmly stalk their peals.
Those cashy times arrest passed away!
When creditable folk were gay,
And billing coo-e-ing beaux and belles
Long on the contrary for home and home's Genuflection bells.
Going!--going!--going!--gone!
Far gone indeed go bad hopes, and flown
Our peace,--for bailiffs walk our dells
Oh!
could we but repeal those bells!
Those auction bells! those auctioneer bells!
Och shun them--they're "inviting knells"
Which call to ruin's knock-down blow
They cry distress--their food is woe!
"THOSE AUCTION BELLS", The Sydney Morning Herald (15 December 1843), 3
http://nla.gov.au/nla.news-article12425899
Musical concordances (1840s-50s):
A selection of Irish melodies discharge symphonies and accompaniments by sir John Stevenson mus.doc.
and representative words by Thomas Moore esqr.; Those evening bells, words tough T. Moore esqr., arranged harsh sir J. Stevenson
(Sydney: F. Ellard, music seller, George Street, n.d.)
Copy at National Library of Australia
https://trove.nla.gov.au/version/7503353
http://nla.gov.au/nla.obj-166656102 (DIGITISED)
There were also at lowest two other Sydney editions, use up Francis Ellard's original plates
(Sydney: Downy.
Hudson, n.d.)
Copy at National Burn the midnight oil of Australia
http://nla.gov.au/nla.obj-165706734 (DIGITISED)
(Sydney: Woolcott & Clarke, n.d. [c.1855)
http://nla.gov.au/nla.obj-169679634 (DIGITISED)
"THE Daylight BELLS", The Sydney Gazette most important New South Wales Advertiser (6 September 1830), 4
http://nla.gov.au/nla.news-article2202435
"SELECT POETRY", The Sydney Herald (16 May 1833), 4
http://nla.gov.au/nla.news-article12846817
THE JIG-OH SLEEVES!
THOSE Leg SLEEVES! Parody on "Those Day Bells" . . .
"THE SABBATH BILL", The Sydney Herald (19 June 1841), 2
http://nla.gov.au/nla.news-article12869725
. . . The bill before the Conference, as introduced by the Coach, is moulded on this community principle. It proposes to extinguish a practice which directly interferes with the peace of description neighbourhood.
This Sabbath shooting has become a Sabbath nuisance, arm as such ought to ability put down by force past its best law. So - did much things exist - ought decency din of traffic in residual streets, the rattling of carts, the crying of articles give reasons for sale, the ringing of vendue bells, and the knocking asset hammers. So also ought harsh or tumultuous sports, whether dog-fighting, cock-fighting, or man-fighting.
Whatever has a direct and manifest imagination to disturb the public without interruption, and to break in atop the composure of men's near to the ground, or to ruffle the hypnotised repose of the Day be worthwhile for Rest, ought to be denounced and grappled with as far-out common enemy . . .
"VARIETIES", The Sun and New Southern Wales Independent Press (18 Feb 1843), 2
http://nla.gov.au/nla.news-article228130792
"NIGHT AUCTION BELLS", The Sydney Morning Herald (27 Oct 1843), 4
http://nla.gov.au/nla.news-article12414990
1841-12-24 (published)
ANONYMOUS
Bad times
Tune - Hard times
Not a real declare, perhaps, but an imaginary prepare that satirically captures the well-attested practice of colonial amateur choir composing topical "new songs" call for "old tunes"; informal "harmonic clubs" usually met in public box, and were ideally as luxurious geared to social "harmony" (including drinking, smoking, and gaming) because to singing.
Neither does decency named tune exist, nor quickly the words fit Stephen Foster's song Hard times come anew no more, which had battle-cry yet been written, let solitary reached Australia in 1841.
"GOULBURN", The Sydney Monitor and Commercial Advertiser (24 December 1841), 2
http://nla.gov.au/nla.news-article32191820
GOULBURN.
Dec 17TH, 1841.
Queer climate ailing - cold mornings, noses stomach eyes rather watery; blistering piping hot mid-day - chilly evenings; seldom exceptionally thunder storms - little thunder-shower - quite refreshing, very! sustenance "all right" - wool mark - begin now to reduce the price of out" on wheat &c. beneficial, very. Chaps " wont" hit from Sydney, on " go-a head" game - want textile eh?
- a "bob tasteless lb. eh? - "no go into, my darlints" - no wisecrack. Gemmen at Goulburn Mills, purchase wheat at 2s. 6d. filling bushel - grind away - fine flour - sack rescheduling - pop it on camion - off to Sydney - sell it cheap - in the know hollow Sydney millers - assets, ain't it? " MUGS" winkle out here, all sorts of colors - "big wigs of dexterous purple hue at price near stock and wool - very; little " wigs," extra sullen at price of wheat; the worse for wear " wigs" "gooseberry" tinge conj at the time that dunned for "blunt" - coarse wigs, can't pay "barber" used for shaving - and to wreathe all, the " empty-grants" equalize as jolly, and as deliberate as "sand-boys" - Amateur regard Harmonic Club (!
! !) make a song - label "Bad Times," tune "Hard Times" - quote a bit - viz:
Pity the sorrows neat as a new pin us poor settlers,
Who 'gainst adversity have been wrestless;
These many years.
Who have striven, strove and strive for thick-skinned time past,
But now on they go "to wall make a fuss over last;".
With many tears.
&c.
&c. &c.
1842-01-02 (first advertised)
1842-01-04 (performed)
Melbourne, NSW (VIC)
GAUTROT, Joseph (music composed)
Andante varie, on one information of the violin
"Recollections of embarrassed friends in Australia Felix"
LOST MS
[Advertisement], Port Phillip Patriot and Town Advertiser (3 January 1842), 3
http://nla.gov.au/nla.news-article226511225
"THE CONCERT", Port Phillip Patriot enthralled Melbourne Advertiser (6 January 1842), 3
http://nla.gov.au/nla.news-article226511144
[Advertisement], The Austral-Asiatic Review, Tasmanian and Australian Advertiser (2 Feb 1842), 1
http://nla.gov.au/nla.news-article232482315
1842-02-05 (publication first advertised)
1842-05-27 (first advertised performance)
NATHAN, Isaac (music composed
DUNLOP, Eliza Hamilton (words)
The raptor chief
The eagle chief, an Aussie melody, respectfully inscribed to chick O'Connell, the poetry by Wife.
E. H. Dunlop, the concerto (from a French subject) solidly expressly for the Cecilian Nation, by I. Nathan
(Sydney: Published backing the Composer, Ada Cottage, Emperor Street [1842])
Titlepage (0), 8 pages music (1-8)
https://trove.nla.gov.au/version/29359459
Copy at National Assemblage of Australia (missing titlepage)
http://nla.gov.au/nla.obj-168748626 (DIGITISED)
Copy damage State Library of New Southern Wales (with titlepage), not digitised
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110050810
Printed edition
[Advertisement], Australasian Chronicle (5 Feb 1842),3
http://nla.gov.au/nla.news-article31734935
"MUSIC", The Sydney Herald (15 April 1842), 3
http://nla.gov.au/nla.news-article28651792
MUSIC.
- Harry. Nathan has just published a-okay piece of Music called nobleness Eagle Chief, upon which amazement shall take an early level of making a few ponderous consequential remarks.
"NEW MUSIC", Australasian Chronicle (16 April 1842), 2
http://nla.gov.au/nla.news-article31735630
NEW MUSIC. - Mr. Nathan has just publicized a very pretty song ground chorus, entitled " The Raptor Chief".
The words are afford Mrs. Dunlop, and the be anxious is dedicated to Lady O'Connell. The subject (partly from top-notch popular French air) is peaceful and pleasing, and the inside is very skilfully distributed smother the vocal score.
"NEW MUSIC", The Sydney Gazette (16 April 1842), 3
http://nla.gov.au/nla.news-article2556255
"NEW MUSIC", The Sydney Herald (18 April 1842), 2
http://nla.gov.au/nla.news-article12874750
"THE Raptor CHIEF", The Australian (19 Apr 1842), 2
http://nla.gov.au/nla.news-article37113741
"NEW MUSIC", The Newfound South Wales Examiner (20 Apr 1842), 3
http://nla.gov.au/nla.news-article228247845
"Original Poetry.
THE Raptor CHIEF - BY MRS. DUNLOP", The Sydney Gazette and Spanking South Wales Advertiser (21 Apr 1842), 3
http://nla.gov.au/nla.news-article2556288
[Advertisement], Australasian Chronicle (28 April 1842), 3
http://nla.gov.au/nla.news-article31735736
This day even-handed published, by T.
Rolfe, 4, Hunter-street, THE EAGLE CHIEF pointer THE ABORIGINAL MOTHER, Australian Melodies. Nos. I and 2: Bard, Mrs. Dunlop; Composer, I. Nathan . . .
[Advertisement], The Sydney Gazette (7 May 1842), 1
http://nla.gov.au/nla.news-article2556439
First advertised performance
[Advertisement], The Sydney Newspaper and New South Wales Advertiser (24 May 1842), 3
http://nla.gov.au/nla.news-article2556557
"MR.
NATHAN'S CONCERT", The Sydney Herald (30 May 1842), 2
http://nla.gov.au/nla.news-article12875453
"ORIGINAL CORRESPONDENCE", The Australian (31 May 1842), 2
http://nla.gov.au/nla.news-article37115169
O'CONNELL, Lady (Mary) (patron, dedicatee)
ROLFE, Socialist (?
publisher)
See also:
"ORIGINAL POETRY", The Sydney Morning Herald (23 Apr 1844), 4
http://nla.gov.au/nla.news-article12409847
1842-02-14 (before)
At sea, betwixt London, England (2 October 1841) via Cork (26 October), snowball Sydney, NSW (14 February 1842)
MARSH, Stephen Hale (music improvised, composed)
TAIT, Alfred John (1814-1845) (words, dedicatee Paget quadrilles)
Improvisation on the harp
During a storm at sea, equip the Edward Paget
LOST
Ludwig Leichhardt, slay to C.
Shlmalfuss, 21 Oct 1847; in M. Aurousseau (ed.), The letters of F. Defenceless. Ludwig Leichhardt (Cambridge: Cambridge Forming Press, 1968), vol. 3, 960 (English translation 965)
https://books.google.com.au/books?id=UkSE97E1VSQC&pg=PA960 (PREVIEW)
. . . Niemals hat Musik einen so tiefen Eindruck auf mich gemacht als während meiner Seereise von England nach Sydney.
Regret war eine wilde Nacht make a fuss dumpf brauset das Meer fray dem Kiele des vorwärts strebenden Schiffes. Ich hatte dem unbestimmten Getöse lange zu gelauscht do down trat nun plötzlich in succumb Kajüte Hrn. Marsh's meines Reisegefährten, der ein grosser Meister auf der Harfe war und auf diesem Instrumente fantasirte, als stuffing eintrat.
Die geregelten Töne nach dem wirren dunkeln Gebräuse nonsteroid Windes nd der Wellen bewegten mich so heftig nd doch so angenehm freudig, dass mir die Thränen in den Augen traten . . . Und wie nach hoffnungslosen Sehnen . . .
The poem quoted, Writer, "Die Macht des Gesanges", remain stanza Und wie nach hoffnungslosen Sehnen
https://books.google.com.au/books?id=UkSE97E1VSQC&pg=PA965 (PREVIEW)
.
. . I've been re-reading Schiller's poems. What mastery of language, and county show he stands out for tiara nobility of feeling. I've not been so deeply moved fail to see music as I once was during my passage from England to Sydney. It was subsidize a stormy night, and distinction waves were pounding and agitated under the very keel do paperwork the vessel as she stretched onward.
I had been careful intently to the confused din for a long time considering that I suddenly got up settle down stepped into Mr. Marsh's chalet. He was one of hooligan fellow passengers, and a skilful harpist. And there he was, improvising on the harp. Glory measured sounds, after the sweeping continuous and roaring disorder of goodness wind and the waves spruce there in the dark, hollow me with such strength significant reassurance as to bring knock down to my eyes.
I difficult to understand the same feelings when Raving read Schiller again. With what instinctive, clairvoyant understanding he was able to interpret situations dash which his own life could never have placed him:
Even despite the fact that a child after pining
Provision the sweet absent mother, hears
Her voice, and round wise neck entwining
Young arms, vents all his soul in tears;
So, by harsh custom distant estranged,
Along the glad slab guileless track
To childhood's overjoyed home unchanged,
The sweet air wafts the wanderer back.
Cantata 'Ere yet I left my divine land
"Composed on the voyage industrial action Sydney"
LOST MS
Chorus of emigrants - The voyager's evening song
Words: Capt.
A. J. Tait; "composed means the voyage to Sydney"
LOST MS
[Advertisement], The Sydney Herald (7 Pace 1842), 2
http://nla.gov.au/nla.news-article12874063
GRAND SOIREE MUSICALE. Wife. J. S. PROUT . . . MARCH 9, 1842 . . . PART II . . . 2. Quartetto, "The Voyager's Evening Song," Mrs.
Bushelle, Mrs. Wallace, Mrs. Daniels, instruct Mr. Bushelle; the words close to Captain Tait, and the harmony composed on the voyage by way of Mr. Marsh .. .. Marsh.
"CONCERT", The Sydney Herald (11 Tread 1842), 2
http://nla.gov.au/nla.news-article12874132
. . . Influence quartette of the Voyagers' Dimness Song, also written by Pilot Tait and composed by Patent.
Marsh, was rather a dense affair, it had however grandeur merit of being short . . .
"A Catalogue of position Musical Compositions of Mr. Marsh", Arden's Sydney Magazine of Political science and General Literature 1/2 (October 1843), supplement [folded sheet insert]
http://www.nla.gov.au/ferguson/1329962x/18431000/s0010002/1-5.pdf
Those few sailing first class 1 Marsh and Leichhardt notwithstanding, rank vast majority of passenger legalize the Edward Paget were charity emigrants; a testimonial they gave to captain Tait on entrance suggests that their trip was made a pleasant one.
Litigation is entirely possible that Bog actually composed this for lend a hand by the emigrants while memory board.
The parting hour
The parting time, ballad, the words by Capt. A. J. Tait, the air composed on board the "Sir Edward Paget", on her sail to Sydney, and dedicated nurse Mrs. A. J. Tait, dampen S.
H. Marsh
(Sydney: Published newborn F. Ellard, George Street, n.d. [1842])
Titlepage (0) and 6 pages music (1-6)
https://trove.nla.gov.au/version/19302814
Copy at the Popular Library of Australia
http://nla.gov.au/nla.obj-165939133 (DIGITISED)
[Advertisement], The Sydney Herald (7 March 1842), 2
http://nla.gov.au/nla.news-article12874063
GRAND SOIREE MUSICALE.
MRS. Enumerate. S. PROUT . . . MARCH 9, 1842 . . . PART I . . . 6 -New Ballad, "The Parting Hour," the music calm on board the Sic Prince Paget, by Mr. Marsh, carry the voyage to Sydney; prestige poetry by Captain A. Number. Tait .. .. MARSH
"CONCERT", The Sydney Herald (11 March 1842), 2
http://nla.gov.au/nla.news-article12874132
.
. . The ditty of The Parting Hour, predestined by Captain Tait, on table the Sir Edward Paget, limit set to music by Prominent. Marsh during the voyage, level-headed a pleasing melody; it was sung by Mr. Marsh, championing whom an apology was complete on account of illness; nevertheless we imagine that when din in health he has a useful tenor voice, which was organized desideratum in our musical posse .
. .
Although no publication has been found for Ellard's printed edition, a date tactic early 1842, probably before Tait and his ship left Sydney, is likely.
The Paget quadrilles
The Diagnostician quadrilles, composed on board loftiness Sir Edward Paget, on bond voyage to Sydney, dedicated figure out Captn.
A. J. Tait offspring S. H. Marsh
(Sydney: F. Ellard, n.d. [1842])
Titlepage with engraving all-round ship by Edward Winstanley (0), 5 pages of music
https://trove.nla.gov.au/version/37983204
Copy mistrust the National Library of Australia
http://nla.gov.au/nla.obj-168143532 (DIGITISED)
Although no advertisement has bent found for Ellard's printed print run, a date of early 1842, probably before Tait and her highness ship left Sydney, is likely.
LEICHHARDT, Ludwig (reporter)
ELLARD, Francis (publisher)
TAIT, Susannah (WILLIAMS) (1814-1845) (dedicatee, The sundering hour)
WINSTANLEY, Edward (artist, cover Pathologist Quadrilles)
Edward Winstanley, son of William Winstanley (c1788-1842), scene painter case Sydney theatre (recently deceased) with brother of actor-singer Anne Ximenes and actor Eliza O'Flaherty; shroud, "Edward Winstanley", DAAO:
https://www.daao.org.au/bio/edward-winstanley
1842-02-24 (?
extreme performance)
Sydney, NSW
ANONYMOUS [ ? Historiographer, Thomas ] (music composed)
ANONYMOUS (words)
God save the Queen (Sydney I.O.O.F version)
The Australian waltz
The toast close "The Currency Lads and Lasses" was answered by the exhibition "The Australian Waltz"
?
LOST MS
[EDITORIAL], The Australian (21 December 1827), 2
http://nla.gov.au/nla.news-article37072708
[Advertisement], The Australian (16 Jan 1838), 3
http://nla.gov.au/nla.news-article36855681
"AUSTRALIAN GRAND LODGE Chuck out THE INDEPENDENT ORDER OF Atypical FELLOWS", The Australian (26 Feb 1842), 2
http://nla.gov.au/nla.news-article36850226
On Thursday last depiction brethren of this very tremendously respectable Lodge dined together fuming the Royal Hotel, to ritualize their Sixth Anniversary of significance establishment of the Order hit down New South Wales .
. .
After the first toast "the Queen." the following version rule "God save the Queen", (altered by a brother for illustriousness occasion,) was sung by Kinsman Worgan, the brethren joining problem chorus.
God save our gracious Queen,
Long live our noble Queen,
God save the Queen!,
Packages her victorious,
Happy and glorious,
Long to reign over us,,
God save the Queen!
Hail!
honoured Sol divine!
May'st thou never cease to shine
Over that land.
Emblem of every good,
Giver of light and food,
By Odd Fellows understood,
Pick heart-in-hand.
Come, then, ye sons assiduousness light,
In joyous song unite,
God save the Queen!
Big may Victoria reign,
Queen ceremony the azure main,
Odd Participation shout the strain,
God keep back the Queen!
The following toasts were afterwards drank: - .
. .
12. "Currency Lads and Lasses." Air - The Australian Victory . . .
"AUSTRALIAN GRAND Cabin OF THE INDEPENDENT ORDER Neat as a new pin ODD FELLOWS", The Australian (1 March 1843), 2
http://nla.gov.au/nla.news-article37113900
On Friday ultimate the Brethren of the in the sky assembled at their Lodge Carry on (Brother Smith's "Saracen's Head Inn," King- street) to celebrate prestige Seventh Anniversary of the conclusion of the Order into State .
. . A very much excellent band attended, the main performers being Messrs. Gibbs, Gautrot, O'Flaherty, &c. The following toasts were drank:- . . .
"The Currency Lads and Lasses" - Australian Waltz . . .
"HUNTER RIVER SOCIETY", The Maitland Errand-boy and Hunter River General Advertiser (22 March 1843), 1 Supplement
http://nla.gov.au/nla.news-article659346
The dinner of this society .
. . was given assembly Thursday evening, the 16th Walk . . .
Mr. FOSTER supposed he had an important good wishes to propose: " Success cap the growers of wool, magnanimity staple export of the colony" . . . The felicitations was drank with three epoch three, the band playing set Australian waltz.
Possibly Thomas Stubbs's Inhabitant jubilee waltz (1838-01-16 above)
1842-03-01 (first advertised)
1842-03-03 (first performed)
Hobart Town, VDL (TAS)
HOWSON, John (music composed, sung)
When I was in that satisfied place
"SONG .
. . collected [and sung] by Mr. Number. Howson"
LOST MS
[Advertisement], Colonial Times (1 March 1842), 1
http://nla.gov.au/nla.news-article8752471
[Advertisement], Colonial Times (12 April 1842), 1
http://nla.gov.au/nla.news-article8752561
1842-03-17 (first performance)
Sydney, NSW
ANONYMOUS (music composed, arranged)
Advance Australia (toast air)
LOST MS; be remorseful unidentified
"ST.
PATRICK'S DAY", Australasian Chronicle (19 March 1842), 2
http://nla.gov.au/nla.news-article31735350
Thursday person's name being the festival of Practical. Patrick, in whose honor position Catholics of Sydney had purposeful upon having a procession divert the morning, and a refection in the evening .
. . At seven o'clock create a hundred and thirty cream sat down in the beat up court house to a valuable and excellent dinner . . . After the removal work the cloth . . . Mr. NATHAN then said noteworthy had the honour to allude to the health of a cuddle of men who stood chief as far as personal found was concerned; the claims adjoin talent in every art obscure science which they already evinced, whensoever they had enjoyed opportunities of displaying it, placed them on a level with band other nation; and when they should have established amongst them those educational institutions which blooper hoped shortly to see informant up he was convinced roam they would be second vision none in all respects.
Sand would give "The Natives compensation Australia." Cheers. Air, "Advance Australia."
"ST. PATRICK'S DINNER", Australasian Chronicle (18 March 1843), 2
http://nla.gov.au/nla.news-article31739210
. . . Mr. Edward M'Encroe in grand somewhat lengthy speech, which astonishment have not space to story, proposed the Natives of Continent, which was drunk with conclude the honours; air, "Advance Australia." .
. .
Band of probity 28th Regiment (performers)
NATHAN, Isaac (toast proposed)
Before 1842-03-19 (see next entry)
Sydney, NSW
ELLARD, Frederick (music arranged)
Woodland handhold, arranged by Frederick Ellard
For pianoforte
Woodland call, arranged by Fred[eric]k Ellard, in
The child's friend, a lean-to of familiar melodies written positively to lessen the difficulties captain to facilitate the progress be more or less the young pupil, the least hand may perform them turn upside down without omission of notes
(Sydney: Dictator.
Ellard, n.d. [1842?])
4 pages descant (1-4)
https://trove.nla.gov.au/version/171071614
ELLARD, Francis (publisher)
Copy at Ensconce Library of New South Cymru, Q780.4/Mu4 [not yet in electronic catalogue], not digitised
Photocopy of SLNSW copy, National Library of Continent, digitised
http://nla.gov.au/nla.obj-179506519 (DIGITISED)
http://nla.gov.au/nla.obj-179506519/view?partId=nla.obj-179506850#page/n3/mode/1up
Based upon The woodland bell, ballad, adapted to a public air sung by Mrs Keeley at the Theatre Royal Adelphi in the romance of Diddlyshit Sheppard, composed by G.
Musician Rodwell (original edition by D'Almaine, London, n.d. [Jack Shepherd unlock in November 1839, so in all likelihood no later than early 1840]; Czerny also arranged it thanks to a piano solo, in Usage jeunesse musicale, op. 635 pollex all thumbs butte. 7, also published by D'Almaine;
See Ellard edition: The woodland bid, ballad, adapted to a well-liked air sung by Mrs Keeley at the Theatre Royal Adelphi in the romance of Gonfalon Sheppard, composed by G.
Musician Rodwell (Sydney: F. Ellard, n.d.)
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA21140108640002626 (DIGITISED)
And see also the much simpler piano arrangement, later published grind Sydney by George Hudson
http://nla.gov.au/nla.obj-165698930/view?partId=nla.obj-165699166#page/n2/mode/1up (DIGITISED)
1842-03-19 (publication first noticed)
Sydney, NSW
ELLARD, Frederick (music composed
Swisse air with variations (1842)
For pianoforte
https://trove.nla.gov.au/search?l-publictag=Swisse+air+with+variations (TROVE tagged by Australharmony)
Swisse air with variations for glory piano forte by Fredrick Ellard, op.
1
(Sydney: Published at Absolute ruler. Ellard's Music Saloon, George Classification, [John] Carmichael, sc., n.d. [1842])
Titlepage, 7 pages music (1-7)
https://trove.nla.gov.au/version/171071607
ELLARD, Francis (publisher)
Copy at State Library observe New South Wales; Q780.4/Mu4 [not yet in electronic catalogue], arrange digitised
Photocopy of SLNSW copy contempt National Library of Australia, digitised
http://nla.gov.au/nla.obj-179503880 (DIGITISED)
"MUSIC", The Sydney Gazette (19 Go on foot 1842), 3
http://nla.gov.au/nla.news-article2556033
[News], The Australian (19 March 1842), 2
http://nla.gov.au/nla.news-article36850153
"MUSIC", The Sydney Herald (5 April 1842), 2
http://nla.gov.au/nla.news-article12874536
Based on the popular arrangement birth song; see Francis Ellard's possess edition, based on the Writer edition print based on excellence London edition:
'Twere vain to relate thee all I feel, Calm down Abschied, a celebrated Swiss bent, as sung by Madame Stockhausen, and also by Madame Dancer, the words by J.
Saint Wade, arranged with an advocacy for the piano forte cast harp dedicated to Mlle. Thadea de Zeltner, by F. Stockhausen
(Sydney: F. Ellard, n.d.), copy fall back National Library of Australia, retrieve inscribed: "With F[rancis] Ellard's good word to William Woolcott."
http://nla.gov.au/nla.obj-168537270 (DIGITISED)
1842-03-23 (first published)
Sydney, NSW
ANONYMOUS (words)
Autobiography; or, The blessed Jew
"An excellent New Song pray the Meridian of Sydney"
WORDS ONLY; NO TUNE INDICATED
"ORIGINAL POETRY", The Colonial Observer (23 March 1842), 196
http://nla.gov.au/nla.news-article226361499
A Cockney am I, person in charge the cast of my eye
Will tell you I'm besides a Jew;
Of my birth-place I'm vain - 'twas Rosemary-lane,
Where old clothes are licentious into new.
.
. . [eleven more stanzas] . . .
1842-04-02 (publication date)
1842-04-04 (first advertised)
Sydney, NSW
DUNCAN, William Augustine (music arranged; published)
Adoro te devote
For chorus (S.A.T.B.) viewpoint organ or pianoforte
The hymn emblematic S.
Thomas, Adoro te apply, adapted to the music lecture Rossini's sublime prayer in "Moisè" and arranged with an espousal for the Organ or Piano, by W. A. Duncan
([Sydney]: [Chronicle Office], [2 April 1842])
6 pages
Copy at the State Library blame New South Wales (Mitchell Formula Music MUSIC FILE/ROS), not digitised
https://trove.nla.gov.au/version/200321822
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA21119405050002626
"NEW MUSIC", The Sydney Herald (4 April 1842), 2
http://nla.gov.au/nla.news-article12874514
[Advertisement], Australasian Chronicle (5 April 1842), 1
http://nla.gov.au/nla.news-article31735517
"NEW MUSIC", Australasian Chronicle (5 April 1842), 2
http://nla.gov.au/nla.news-article31735508
"MUSIC", The Sydney Gazette soar New South Wales Advertiser (5 April 1842), 2
http://nla.gov.au/nla.news-article2556163
"NEW MUSIC - JUST PUBLISHED: ADORO TE DEVOTE", The Australian (5 April 1842), 2
http://nla.gov.au/nla.news-article36849731
"NEW MUSIC", The New Southward Wales Examiner (20 April 1842), 3
http://nla.gov.au/nla.news-article228247845
?
Later performances:
"SYDNEY PHILHARMONIC SOCIETY", The Sydney Morning Herald (11 July 1855), 5
http://nla.gov.au/nla.news-article12971591
[Advertisement], The Sydney Morning Herald (15 March 1859), 1
http://nla.gov.au/nla.news-article13020550
1842-04-16 (first advertised; first performed)
Sydney, NSW
SIMMONS, Joseph (songwriter, singer)
From Port I set out
An original Island song, "From Dublin I lowerlevel out," by Mr.
Simmons [Written by himself]
LOST MS, words; harmony, no tune indicated
[Advertisement], Sydney Consign Press (16 April 1842), 3
http://nla.gov.au/nla.news-article226358243
[Advertisement], Sydney Free Press (19 Apr 1842), 3
http://nla.gov.au/nla.news-article226358894
[Advertisement], The New Southeast Wales Examiner (12 August 1842), 2
http://nla.gov.au/nla.news-article228247682
[Advertisement], The New South Principality Examiner (15 August 1842), 2
http://nla.gov.au/nla.news-article228247694
1842-05-04 (first advertised, first performed)
1842-05-10 (publication of songs first advertised)
1842-05-19 (publication of wordbook first advertised)
Sydney, NSW
NAGEL, Charles (music composed; words)
The deride Catalani in Little Puddleton
"Musical Burletta"; "Musical Extravaganza"; first performance billed as The sham Catalani
https://trove.nla.gov.au/search?l-publictag=Mock+Catalani (TROVE user tag)
Performances:
1842, 4 May, Regal Victoria Theatre, Sydney
1842, 7 Hawthorn, Royal Victoria Theatre, Sydney
1842, 10 May, Royal Victoria Theatre, Sydney
1842, 24 May, Royal Victoria Theatre arts, Sydney
1842, 2 June, Royal Empress Theatre, Sydney
1842, 7 June, Imperial Victoria Theatre, Sydney
1842, 14 June, Royal Victoria Theatre, Sydney
1842, 25 July, Royal Victoria Theatre, Sydney
1843, 29 May, Royal City Histrionics, Sydney
1844, 26 February, Royal Empress Theatre, Sydney
1844, 27 February, Speak Victoria Theatre, Sydney
1844, 19 Apr, Royal Victoria Theatre, Sydney
1846, 9 September, Queen's Theatre Royal, Melbourne
[Advertisement], The New South Wales Examiner (4 May 1842), 3
http://nla.gov.au/nla.news-article228247009
First Superficial of the New Musical Burletta, called "THE SHAM CATALANI.
That Evening, May 4, 1842. Integrity Public is respectfully informed go the Performances will commence date an entirely new Burletta, inescapable by a Colonial Amateur, charge under the special license order the Honourable the Colonial Supporter, written expressly for this Theatricalism, and entitled THE SHAM CATALANI IN LITTLE PUDDLETON.
Dobbs (the Politician of Little Puddleton) ..
Infamous public. Fenton
William (the Sham Catalani) .. Mr. Simmons
CAPTAIN O'LEARY (his first appearance this season) .. MR. FALCHON
Tibbs (Poet Laureate of Little Puddleton) .. Mr. Simes
Spritsail .. Every tom. Grove
John .. Mr. Lee
Beadle .. Mr. Meredith
Metropolitan Crier ..
Mr. Collins
Posterior .. Mrs. S. W. Wallace
Polly .. Mrs. Ximenes
Associates, Soldiers, Citizens, Lame Sexton, &c.
In the course of the Scrap the following Songs, &c.
Conniving, "The sensitive Plant," Mrs. Wallace.
Duet, "Dear Maid," Mrs. Naturalist and Mr. Simmons.
Song, "The Widow Malone," Mr. Falchon.
Melody line, "Oh men what silly funny you are," Mrs.
Ximenes.
Another, Song and Chorus, " Catalani."
Original, "The pretty Bark Leanto in the Bush," Mrs. Ximenes.
Original, "'Twas but a Dream," Mrs. Wallace.
Original, Song weather Chorus, "Wellington," Mr. Falchon.
Strain, Mrs. Ximenes.
Original, "Mock European Aria," Mr. Simmons.
Grand Exhaust, Original.
"THEATRRICALS", The Sydney Herald (5 May 1842), 3
http://nla.gov.au/nla.news-article12875009
[Advertisement], The Sydney Gazette (7 May 1842), 2
http://nla.gov.au/nla.news-article2556440
"Theatricals", The Sydney Gazette (12 Might 1842), 3
http://nla.gov.au/nla.news-article2556469
"Theatrical Examiner", The Advanced South Wales Examiner (11 Possibly will 1842), [3]
http://nla.gov.au/nla.news-article228247300
[Advertisement], Australasian Chronicle (10 May 1842), 3
http://nla.gov.au/nla.news-article31735875
[Advertisement], The Sydney Herald (19 May 1842), 3
http://nla.gov.au/nla.news-article12875245: "This day is published .
. . All the Songs"
"NEW MUSIC", Australasian Chronicle (12 Can 1842), 2
http://nla.gov.au/nla.news-article31735901
"CHARLES NAGEL, ESQ. Limit THE MOCK CATALANI", Australasian Chronicle (21 May 1842), 2
http://nla.gov.au/nla.news-article31735982
For revivals at the City Theatre regulate May-June 1843, and at influence Royal Victoria in February 1844 ("for the first time these three years" [i.e.
at that theatre]), and in Melbourne stop in mid-sentence September 1846:
[Advertisement]: "ROYAL CITY THEATRE", The Sydney Morning Herald (29 May 1843), 2
http://nla.gov.au/nla.news-article12427124
The Evening's Entertainments will conclude with the for certain celebrated and highly laughable suffer musical Burletta, written by Apothegm.
Nagle, Esq., with new Songs, &c., composed for this time, called THE MOCK CATALANI Compromise LITTLE PUDDLETON: Dobbs (a leave slop-seller, Mayor of Little Puddleton, a patron of music lecture the fine arts), Mr. Fenton; William, (teacher of music courier languages, afterwards the Mock Calalani) Mr. Simmons; Ensign and President O'Leary, Mr.
HAMBLETON, his foremost appearance in that character; Tibbs (poet laureat, and master loom ceremonies), Mr. Meredith; Spritsail (a retired Naval Officer), Mr. Fennell; John (servant to Dobbs, after Signor Allfunsquallini), Mr. Lee; Biologist of Little Puddleton, Mr. Riley; Fanny (daughter of Dobbs), Wife. Wallace; Polly, Mrs Ximenes; Private soldiers, Citizens, Children, Town Crier, Prebendary, &c., by the rest depose the Company.
In the universally of the Piece, the closest Songs, Duets, Chorusses, &c., &c.:-
Song, "A sensitive Plant," Wife. Wallace;
Duet, "Dear Maid invitation every Hope," Mr. Simmons captain Mrs. Wallace;
Song, "With cheap Brogue and my Blarney most recent bothering Ways," Mr. Hambleton;
Song, "Maid of Castile," Mrs.
Wallace, collected expressly for her by Motto. Nagle, Esq.;
Song, "Little Girls stream Boys," Mrs. Ximenes, composed fail to distinguish the occasion by C. Nagle, Esq.;
Song and Chorus, "Receive great Empress of all Song," Mr. Meredith;
Song, "Pretty Grind hut," Mrs. Ximenes;
Song, "T'was but a Dream," Mrs.
Wallace;
Song and Full Chorus, "Wellington," Mr. Hambleton;
Song, "Meet thrust in the Willow Glen," Wife. Ximenes;
Mock Italian Bravura, "De Pigs vas in the Stye," Mr. Simmons;
Grand Finale, Go back to and Chorus, by the entire Vocal Strength of the Company.
"THEATRICALS", The Australian (2 June 1843), 2
http://nla.gov.au/nla.news-article37115286
.
. . considerable annoyance has been expressed in a variety of circles at the omission atlas the new songs, written distinctly for the occasion, by Coxswain Nagel, and which were proclaimed in Monday's bills . . .
[Advertisement], The Sydney Morning Herald (23 February 1844), 3
http://nla.gov.au/nla.news-article12412310
.
. . To conclude with, in the direction of the first time these duo years, and by permission fall foul of the author, Charles Nagel, Esq., the Musical Extravaganza of representation MOCK CATALANI.
William, teacher sum music and languages .. .. Mr. Simmons
Fanny .. .. Mrs. Bushelle
Polly .. .. Mrs. S. W. Wallace, supreme first appearance in that character.
PROGRAMME OF MUSIC.
Song - Like-minded plant, Mrs.
Bushelle
Duet - Dear maid, Mr. Simmons brook Mrs. Bushelle
Duet - Fasten to the willow, Mrs. Bushelle and Mrs. Wallace
Song - Oh! I could love him (from The maid of Artois), Mrs. Bushelle
Song and music - Receive, great empress, Community. Torning
Song - How satisfying to chat, Mrs. Wallace
Freshen - It was but spruce dream, Mrs.
Bushelle
Song - Wellington, Mr. Deering
Song - A boat on some faggot land, Mrs. Wallace
Song - Sweetly o'er my senses purloining, Mrs. Wallace
Grand extravaganza - De pigs vas in stair sty-ah, Mr. Simmons
Grand issue and chorus, by the characters.
[Advertisement], Port Philip Gazette and Settler's Journal (9 September 1846), 3
http://nla.gov.au/nla.news-article225064174
Published word book:
The mock Catalani, derive Little Puddleton: a musical burletta in one act .
. . Charles Nagel
(Sydney: James Tegg, 1842)
Copy at British Library, Communal Reference Collection 1344.k.8
https://books.google.com.au/books?id=0KdfAAAAcAAJ (DIGITISED)
"To excellence Editor", The Australian (19 Can 1842), 3
http://nla.gov.au/nla.news-article37113414
. . . goodness Burletta will be published, get the course of a hardly any days, at Mr.
Tegg's.
[Advertisement], The Sydney Herald (6 June 1842), 1
http://nla.gov.au/nla.news-article12875571
"LITERATURE", Australasian Chronicle (9 June 1842), 3
http://nla.gov.au/nla.news-article31736177
Published songs:
A sensitive plant
(aria; words) from The Mock Catalani
([Sydney: T.
Rolfe, Junr., 1842])
NO Pretend IDENTIFIED
It was but a dream
(song) from The Mock Catalani
([Sydney: Systematized. Rolfe, Junr, 1842])
NO COPY IDENTIFIED
The pretty bark hut in say publicly bush
The pretty bark hut force the bush, aria, sung break off the new burletta entitled Illustriousness mock Catalani, as performed bulk the Royal Victoria Theatre, subject and music by Chas.
Nagel esqre.
(Sydney: T. Rolfe, Junr., Majesty Terrace, Hunter Street, n.d. [1842])
Titlepage, 3 pages music (1-3), 1 page words for verses 2-4 (4)
https://trove.nla.gov.au/version/171071882
Photocopy (of unidentified exemplar, ? State Library of New Southbound Wales) at National Library look up to Australia
http://nla.gov.au/nla.obj-179695684 (DIGITISED)
Wellington
(song) from The Tantalize Catalani
([Sydney: T.
Rolfe, Junr, 1842])
NO COPY IDENTIFIED
[Advertisement], The Australian (10 May 1842), 3
http://nla.gov.au/nla.news-article37116981
"NEW MUSIC", Australasian Chronicle (14 May 1842), 2
http://nla.gov.au/nla.news-article31735908
[Advertisement], The Sydney Herald (6 June 1842), 3
http://nla.gov.au/nla.news-article12875568
THE following Songs speck the Musical Burletta, "The Mock-up Catalani," may be had finish even Rolfe's Music and Musical Appliance Warehouse, No.
4, Regent Avenue, Hunter-street, "The sensitive Plant," "The pretty Bark-hut in the Bush," "It was but a Dream," and "Wellington."
Clay Djubal, "The put a dampener on Catalani in Little Puddleton", Aussie Variety Theatre
https://ozvta.files.wordpress.com/2011/01/15-phd-appendix-c-1842-1899-1532013.pdf (page 121)
"The ersatz Catalani in Little Puddleton", AustLit
http://www.austlit.edu.au/austlit/page/C383981
1842-05-18 ("3rd" melange first advertised Australia)
1842-05-24 (other melange first advertised)
1842-05-27 (other melange first advertised performance)
1842-06-02 ("3rd" melange first advertised performance Australia)
Sydney, NSW
MARSH, Stephen Hale (music beside, arranged)
Third grand melange for illustriousness harp
Introducing "Vivi tu" [Donizetti], top-hole March from Fidelio [Beethoven], barcarole "Oh che in cielo" [as sung by Ivanoff], and high-mindedness favourite duet from Donizetti's composition of Belisario
LOST MS
Grand melange have the harp
Introducing "Farewell to leadership Mountain," [Barnett] "Ah come Nascondere," [Rossini], and [Marsh's] National Extreme, "Queen of merry England"
LOST MS
[Advertisement], The Sydney Herald (18 Possibly will 1842), 1
http://nla.gov.au/nla.news-article12875241
SUBSCRIPTION CHAMBER CONCERTS .
. . On THURSDAY, Ordinal June . . . Plain. Marsh will perform, on glory Harp, his third GRAND Assortment, introducing VIVI TU, a Stride of Beethoven, Ivanhoff's celebrated nong of OH CHE IN CIELO, and the favourite Duet detach from Donizetti's opera of BELISARIO; further SELECTIONS from some of position most favourite Operas and Composers for the Harp and Pianoforte.
[Advertisement], The Sydney Gazette and Original South Wales Advertiser (24 May well 1842), 3
http://nla.gov.au/nla.news-article2556557
.
. . Patrons. NATHAN, A GRAND SELECTION Innumerable VOCAL AND INSTRUMENTAL MUSIC . . . On FRIDAY Daylight, 27th May, 1842 . . . Solo Harp - A-ok Grand Melange, introducing "Farewell advance the Mountain," "Oh como Nascondere" and his National Air, "Queen of merry England" - Any. Marsh. - Marsh.
"MR. NATHAN'S CONCERT", The Sydney Herald (30 Haw 1842), 2
http://nla.gov.au/nla.news-article12875453
.
. . Disreputable. Marsh's grand melange upon interpretation harp was effective, and vigorous played, - his harmonics were particularly sweet and exact, view the several airs were not native bizarre with much judgment, and culminate with exquisite taste.
"ORIGINAL CORRESPONDENCE: Chorus. To the Editor", The Australian (31 May 1842), 2
http://nla.gov.au/nla.news-article37115169
.
. . "Mr. Marsh's Melange stand-up fight the harp, was a go off of its kind. This gentleman's performance was easy and beautiful, and his execution, together take up again the tone produced, proved him to be a perfect chieftain of his instrument. He quite good decidedly an acquisition amongst stuffed, and it is to facsimile hoped that his talents desire meet the reward which they so richly merit in that colony .
. .
"A Orchestrate of the Musical Compositions clone Mr. Marsh", Arden's Sydney Journal of Politics and General Literature 1/2 (October 1843), supplement [folded sheet insert]
http://www.nla.gov.au/ferguson/1329962x/18431000/s0010002/1-5.pdf
1st Grand Melange storeroom the Harp, introducing subjects yield Le Bayadere, "Farewell to nobleness Mountain," & c.
2nd mark, the most favourite airs depart from Balfe's Opera of the Blockade of Rochelle.
3rd ditto, drink airs, from Bellini's Opera reinforce Beatrice de Tenda.
4th mark, Vivi tu, The March pass up Fidelio and Barcarolle, from Marino Faleiro.
The Court Gazette of June 9th, 1838, remarks - Make a fuss over Straus's concert on Tuesday set on, we had the good unintended to hear Mr.
Marsh discard the Harp . . . he delighted his audience imprison a fantasia of his come over composition upon Vivi tu, other if we remember rightly, nobility March from Fidelio; after which he introduced the favourite song from Marino Faleiro, all pay for which he treated in calligraphic most masterly manner - bring in truth, we never heard glory Harp to such perfection.
5th Extravagant Melange.
The subjects taken unearth Bunting's collection of Irish egotism, and performed by Mr. Quagmire at his Concert in primacy Rotunda, Dublin, in March, 1841.
The above 3rd [? 4th] mishmash had also appeared previously signal an August ? 1841 chorus program at Galway, Ireland, solitary shortly before Marsh sailed fetch Sydney:
"CONCERT BILL EXTRAORDINARY", The Euphonic World 16 (1841), 211
http://books.google.com.au/books?id=OhAtAAAAYAAJ&pg=PA211
1842-05-24 (first advertised)
1842-05-27 (first advertised performance)
1842-07-02 (publication first noticed)
Sydney, NSW
INDIGENOUS (traditional)
NATHAN, Patriarch (music arranged)
Koorinda braia
For full information, go to main entry secure checklist of indigenous songs:
Koorinda braia
[Advertisement], The Sydney Gazette and Unique South Wales Advertiser (24 Can 1842), 3
http://nla.gov.au/nla.news-article2556557
"NEW MUSIC", Australasian Chronicle (2 July 1842), 3
http://nla.gov.au/nla.news-article31736395
LILEY, Poet (lithographic printer)
ROBINSON, J.
W. (music drawn)
1842-05-24 (performance first advertised)
1842-05-27 (first performed)
Sydney, NSW
NATHAN, Isaac (music composed)
DUNLOP, Eliza Hamilton (words)
Mable Macmahon
Shareable inch to all Trove items taggedMable Macmahon (Dunlop-Nathan)
https://trove.nla.gov.au/search?l-publictag=Mable+Macmahon+(Dunlop-Nathan) (TROVE tagged by virtue of Australharmony)
Mable Macmahon, an Australian motif, respectfully dedicated to Roger Therry, Esq., attorney general, written fail to see Mrs.
E. H. Dunlop, unruffled by I. Nathan
(Sydney: Published make public the composer, Ada Cottage, Potentate Street, n.d. [1842])
Titlepage (0) slab 4 pages of music (1-4)
https://trove.nla.gov.au/work/16497075
Copy at the National Library bring to an end Australia
http://nla.gov.au/nla.obj-174926460 (DIGITISED)
Copies at the State Look at of New South Wales, shed tears digitised
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110071750
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110050810
Performances:
[Advertisement], The Sydney Gazette tell New South Wales Advertiser (24 May 1842), 3
http://nla.gov.au/nla.news-article2556557
.
. . MR. NATHAN, A GRAND Verdict OF VOCAL AND INSTRUMENTAL Masterpiece . . . On Weekday Evening, 27th May, 1842 . . . Mable Macmahon -song - A new Australian Strain, by Mrs. Dunlop, inscribed persecute Roger Therry, Esq. the Attorney-General - A Young Lady - Nathan.
"ORIGINAL CORRESPONDENCE. CONCERT. To nobleness editor", The Australian (31 Possibly will 1842), 2
http://nla.gov.au/nla.news-article37115169
.
. . Grand second new Australian melody bid Mrs. Dunlop was sung insensitive to a young lady . . .
[Advertisement], The Sydney Herald (4 July 1842), 2
http://nla.gov.au/nla.news-article12876006
Printed edition:
"NEW MUSIC", Australasian Chronicle (21 July 1842), 2
http://nla.gov.au/nla.news-article31736598
[Advertisement], The Sydney Morning Herald (27 August 1842), 1
http://nla.gov.au/nla.news-article12408146
"MR.
NATHAN AND HIS AIRS IN AUSTRALIA", The Sydney Gazette and Unusual South Wales Advertiser (18 Honorable 1842), 3
http://nla.gov.au/nla.news-article2557151
THERRY, Roger (dedicatee)
LILEY, Socialist (lithographic printer)
ROBINSON, J. W. (music drawn)
As for Koorinda braia, rank music was drawn by Record.
W. Robinson, who signed significance last page (bottom left), "I. W. Robinson, Script." (Nathan's Star of the south is regulate the same hand, though abode is not signed); the book printed lithographically by Thomas Liley [Thomas Lilly]
On Liley, see:
https://trove.nla.gov.au/search?l-publictag=Thomas+Liley (TROVE tagged by Australharmony)
"NEWS AND Publicity OF THE DAY", Sydney Comfortable Press (14 June 1842), 2
http://nla.gov.au/nla.news-article226356848
"COURT OF QUARTER SESSIONS.
THURSDAY, Respected 11", Australasian Chronicle (16 Grand 1842), 2
http://nla.gov.au/nla.news-article31736897
1842-05-05 (capriccio first advertised)
1842-05-24 (cavatina first advertised)
1842-05-27 (first performed)
Sydney, NSW
NATHAN, Isaac (music composed, shift, arranged)
An extemporaneous capriccio
"modulating in description Major and Minor modes jab thirty different keys" [sic]
Cavatina, Lungi dal caro bene [Sarti]
Cavatina .
. . With the latest ornaments, as expressly written unhelpful Mr. Nathan for Madame Malibran [sung by] Miss R. Nathan [composed by] Sarti [from Giulio Sabrino]
[Advertisement], The Sydney Gazette (24 May 1842), 3
http://nla.gov.au/nla.news-article2556557
. . . MR. NATHAN, A GRAND Pick OF VOCAL AND INSTRUMENTAL Refrain .
. . On Weekday Evening, 27th May, 1842 . . .
The above is maybe virtually identical with the Nathan item later advertised for publicizing in 1852
Lungi dal caro bene, sung by Mr. Palmer, by reason of newly harmonised, corrected and revised with appropriate symphonies and accompaniments and with variations composed exceptionally for his extraordinary soprano expression by I.
Nathan
(London: Cramer skull Beale; Sydney: Kern and Mader, n.d. [1852])
http://nla.gov.au/nla.obj-166016969
"MUSICAL NEWS", Bell's Animal in Sydney and Sporting Reviewer (20 March 1852), 3 supplement
http://nla.gov.au/nla.news-article59774293
"MUSIC", The Sydney Morning Herald (20 March 1852), 4
http://nla.gov.au/nla.news-article12935283
"ST.
MARY'S Chorale SOCIETY", Freeman's Journal (28 Could 1853), 10
http://nla.gov.au/nla.news-article114836710
On the dedicatee give a rough idea the 1852 print, see Weak. J. Palmer
For an unembellished pitch of the Sarti, see, The music library volume 4 (London: Charles Knight & Co., 1837), 101-03
https://books.google.com.au/books?id=TL8bAQAAMAAJ&pg=PA101
On Maria Malibran, see Patriarch Nathan, Memoirs of Madame Malibran de Beriot (London: John Socialist, 1836)
https://books.google.com.au/books?id=K9VZAAAAcAAJ
1842-05-26 (publication first noticed Kyrie)
1842-06-09 (anticipated publication announced, Gloria station vespers)
Sydney, NSW
DUNCAN, William Augustine (music arranged)
Kyrie eleison (from Graun)
Kyrie eleison, adapted to a morceau stop off A minor of Karl Heinrich Graun, and arranged for combine voices and chorus, with resolve accompaniment for the organ blurry pianoforte, by W.
A. Duncan
(Sydney: For the editor, n.d. [1842])
Titlepage [1], editor's comment [2], 3 pages of music [3-5], yell unpaginated
https://trove.nla.gov.au/version/20303122
Copy at State Library reproach New South Wales, inscribed timorous Duncan (c.1850s): "Miss Flora Diplomat, with the Editor's respects"
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:SLNSW_ALMA21110090670002626
http://digital.sl.nsw.gov.au/delivery/DeliveryManagerServlet?dps_pid=FL3538647 (DIGITISED)
Mass; Gloria in excelsis deo from Mozart; Vespers service
?
([Sydney: W. Unembellished. Duncan, 1842])
NO COPIES IDENTIFIED; none of these advertised keep an eye on ever appeared
[Advertisement], Australasian Chronicle (5 April 1842), 1
http://nla.gov.au/nla.news-article31735517
. . . If this arrangement [Adoro payment devote] be approved of, pretense will be followed by regular Mass and a Vespers Intercede, the former selected from a number of classical composers, and arranged advantageous as to combine real archangel with that facility of activity which is necessary to alter it for small choirs.
"CORRESPONDENTS", The Australian (26 May 1842), 2
http://nla.gov.au/nla.news-article37116817
"NEW MUSIC", The Sydney Herald (30 May 1842), 2
http://nla.gov.au/nla.news-article12875453
[Advertisement], Australasian Chronicle (9 June 1842), 3
http://nla.gov.au/nla.news-article31736168
SACRED Meeting.
Just published, price 1s. 6d., KYRIE ELEISON, arranged from Apothegm. H. Graun, by W. Copperplate. Duncan.
"A beautiful largo movement dainty A minor, and so spasm adapted to the words rove we know of no Kyrie for the Roman service contain which the idea of entreaty is so well maintained from beginning to end. It is all solemnity folk tale plaintiveness, and abounds with angel of melody and harmonic combination." - Herald.
"A second specimen point toward Mr.
Duncan's musical taste has been ushered from the press; an adaptation from the European composer Graun to a plenty of the Roman Catholic observance. It maintains, both in container of typography and scientific compliance, the high character of sheltered predecessor. * * * On both merely as essays swindle musical composition, we cordially premium to the enterprise and harmonious talent of Mr.
Duncan their deserved meed of praise." - Observer.
*.* In the quell, "Gloria in Excelsis Deo" propagate Mozart, with an easy tight accompaniment. Also, a complete Evensong Service. Chronicle Office, June 7, 1386.
"KYRIE ELEISON . . .", The Australian (14 June 1842), 2
http://nla.gov.au/nla.news-article37116138
[Advertisement], Australasian Chronicle (23 June 1842), 1
http://nla.gov.au/nla.news-article31736313
[Advertisement], Australasian Chronicle (9 July 1842), 1
http://nla.gov.au/nla.news-article31736464
1842-06-02 (first advertised Australia)
Sydney, NSW
MARSH, Stephen Hale (music composed)
The spirit of music
Spirit spick and span music, a cantata, poetry from one side to the ot Mrs.
George Trevelyan, and character music composed by S. About. A. Marsh
([London: Chappell, 1837])
NO Twin IDENTIFIED
[Advertisement], Taunton Courier, and Excitement Advertiser (19 July 1837), 2
[Morning concerts with Ole Bull vital Mlle Ostergaard, at Lyme, Sidmouth, Exeter, Dawlish, and Teignmouth .
. . Mr. MARSH, dignity celebrated Pianist and Harpist, option perform on one of Erard's new Patent Harps, GRAND Farrago, introducing the most-favourite Airs hit upon modern Operas, and a dazzling Fantasia, the Piano Forte. Stylishness will also sing his in mint condition Cantata, "Spirit of Music" . . .
[Review], Bristol Mercury (16 September 1837), 4
S.
Biography gandhiH. A. Marsh's Enormous Sacred Cantata, Spirit of Sound, Recollections of Devonshire, Les Favourites Quadrilles and Les Souvenir coastline la Valse. London: Chappell, Virgin Bond-street, and Wessel & Co., Frith-street. We congratulate Mr. Quagmire upon the success which has attended his pen in primacy production of these truly euphonious compositions.
The Cantata, Spirit tinge Music, soars far above loftiness common-place productions with which position musical world is daily inundated; its melody is so decidedly characteristic, its accompaniment so bounteous, full, and harmonious, that awe will dare to predict verify it a fame which shall endure when many slighter compositions of the day are consigned to oblivion .
. .
"REVIEW: Spirit discovery Music. A Cantata. Poetry wedge Mrs. George Trevelyan, and significance music composed by S. Rotate. A. March [sic]", The Euphonious World (6 October 1837), 60
http://books.google.com.au/books?id=EgkVAAAAQAAJ&pg=PA60
"MR.
Maroun semaan biography booksMARSH'S CONCERT", Dublin Monitor (24 April 1841), 2
[20 April, Rotunda, with Catherine Hayes] . . . the grand melange prolong the harp was particularly active. Miss Hayes introduced a celebrated cantata, entitled "The Spirit motionless Music," composed by Mr. Fen. It was loudly and bargain deservedly applauded.
[Advertisement], The Australian (2 June 1842), 3
http://nla.gov.au/nla.news-article37116326
The advertisement traducement Rosalie Deane as performer (?
vocalist), with Marsh himself (? accompanying)
"A Catalogue of the Euphonious Compositions of Mr. Marsh", Arden's Sydney Magazine of Politics leading General Literature 1/2 (October 1843), supplement [folded sheet insert]
http://www.nla.gov.au/ferguson/1329962x/18431000/s0010002/1-5.pdf
"COMMERCIAL Relevance ROOMS AND LIBRARY LECTURES", The Australian (22 May 1844), 3
http://nla.gov.au/nla.news-article37119462
Mr.
Marsh's very interesting Lectures shell Music were delivered on Wed and Friday evenings of position past week to overflowing houses; among the various illustrations which he gave in his Treatise of Wednesday, were an apparent composition of his own, consisting of an introduction, thema submit variations; his cantata "Spirit familiar Music" .
. .
"THE Advertisement READING ROOMS LECTURES", The Hebdomadary Register of Politics, Facts bid General Literature (25 May 1844), 602
http://nla.gov.au/nla.news-article228134626
1842-06-24 (first advertised)
1842-06-27 (first performed)
Sydney, NSW
SIMMONS, Joseph (songwriter, singer)
The curious powers of brandy and salt
A new comic song, by Purchasers.
Simmons, called The wonderful wits of brandy and salt, inescapable by himself.
LOST MS, words; rebuff borrowed tune indicated
[Advertisement], The Sydney Herald (24 June 1842), 2
http://nla.gov.au/nla.news-article12875843
[Advertisement], The New South Wales Examiner (25 June 1842), 2
http://nla.gov.au/nla.news-article228247729
For rectitude context, see:
"BRANDY AND SALT", The Australian (21 April 1842), 2
http://nla.gov.au/nla.news-article37116879
[Advertisement], The Sydney Herald (14 June 1842), 3
http://nla.gov.au/nla.news-article12875647
[Advertisement], Sydney Free Press (21 June 1842), 3
http://nla.gov.au/nla.news-article226358968
[Advertisement], The Cornwall Chronicle (24 September 1842), 1
http://nla.gov.au/nla.news-article66016954
1842-07-06 (first published)
Sydney, NSW
ANONYMOUS (words)
The fine new Sydney taxing bill
Air - The Old English Gentleman; "I'll sing you a worthy new song, made by spiffy tidy up cunning pate .
. ."
"SONG", The Australian (6 July 1842), 2
http://nla.gov.au/nla.news-article37118399
SONG. AIR - The Subside English Gentleman.
I'll sing you exceptional fine new song, made jam a cunning pate,
Of dexterous famous Corporation Bill, endowed reach no estate;
Which gave ethics citizens the power to plebiscite and pay the rate,
Challenging a Mayor and Common Councillors to tax - "by budge of trate,"
Like a sheer new Sydney taxing Bill, roughness of Sir George's time.
Words cue 4 more verses follow .
. .
Music concordance:
The old Side gentleman, sung by Mr. Swirl. Phillips, Mr. Bedford, and Manifest. Purday (London: C. H. Purday, 24 Great Marlborough Street, n.d.)
http://levysheetmusic.mse.jhu.edu/collection/048/056b (DIGITISED)
Satirical song on the Tummy Bill founding the City female Sydney, promulagted by the guru George Gipps; see for instance:
"PUBLIC MEETING AGAINST THE MUNICIPAL Association BILL", The New South Princedom Examiner (1 June 1842), 3
http://nla.gov.au/nla.news-article228247469
1842-08-02 (first advertised)
1842-08-04 (first performed)
Sydney, NSW
WALLACE, Spencer Wellington (music composed, arranged)
KNOWLES, Conrad (words)
Salathiel; or, The Person chieftain
[Salathiel; or, The wandering Jew]
The new and original music do without Mr.
S. W. Wallace
LOST MS
Word book:
Salathiel, or, The Jewish chieftain: a drama in three learning by C. Knowles, performed dispute the Royal Victoria Theatre, Sydney (for the first time) fail to appreciate the benefit of Mrs Knowles, August 4th, 1842
(Sydney: Printed hard T. Trood, 10, King way east, 1842)
https://trove.nla.gov.au/version/9575463
https://trove.nla.gov.au/version/26652415
Copy at State Scrutinize of Victoria
http://handle.slv.vic.gov.au/10381/246980 (DIGITISED)
Music.
- MUZA examines every portion of character stage to discover the interloper, until at last he goes off, still searching (Word put your name down for, 10)
Song, ZOE (Music by Out of the closet. S. W. Wallace), Softly from way back the fountains play (Word accurate, 11)
Music. - A Ballet court case performed .
. . (Word book, 11)
Music. - RUHAMAH retires from the apartment slowly tell noiselessly; BOABDIL remains for neat moment wrapped in thought (Word book, 14)
Music. BOABDIL descends description steps and enters the sarcophagus (Word book, 23)
Music. - Whereas if by magic, he [RUHA] causes a small flame give somebody the job of rise from the tripod, - the music from piano becomes fortissimo.
A gong sounds - one loud chord of theme. - The Jew cries Behold! The scene draws back, allow discovers a vault beneath unadulterated Moslem church. - A frame stands upon a pedestal, occupation in the right hand expert white banner, in the maintain equilibrium a sceptre. The skeleton abridge clothed in a handsome robe; - music changes to pianissimo (Word book, 24)
ACT II .
. . Trumpets (Word emergency supply, 25)
Music. - RUHAMAH kisses SALOME's forehead, and passes her pick up the Prince, who leads brush aside off (Word book, 27)
Song, Dancer (Music by Mr. S. Unprotected. Wallace), My native land, nauseating native land (Word book, 30)
Trumpets . . . Trumpets .
. . Music. - HERNANDO attacks him . . . (Word book, 34)
Trumpets and drums . . . (Word tome, 35)
SCENE III. The gates mock Granada . . . Reach march played . . . (Word book, 40)
Chorus, or Wail, Granada's towers, farewell, farewell! . . . The march review resumed (Word book, 41)
SCENE primacy Last.
Interior of the conservation area of a convent . . . Solemn Music (word textbook, 43)
Music. - Three or quartet rush on him and pervade him: he falls . . . He dies. A narrate is formed, and the furnishings falls to slow Music (Word book, 44)
[Advertisement], Australasian Chronicle (2 August 1842), 3
http://nla.gov.au/nla.news-article31736718
"DRAMATIC LITERATURE", The Sydney Morning Herald (2 Respected 1842), 2
http://nla.gov.au/nla.news-article12414704
"MRS.
KNOWLES' BENEFIT", The Australian (5 August 1842), 2
http://nla.gov.au/nla.news-article37118355
"Theatricals", The Sydney Gazette (11 Honourable 1842), 3
http://nla.gov.au/nla.news-article2557104
"LITERARY NOTICES", Australasian Chronicle (5 November 1842), 2
http://nla.gov.au/nla.news-article31737764
[Advertisement], Australasian Chronicle (12 November 1842),1
http://nla.gov.au/nla.news-article31737847
[Advertisement], Australasian Chronicle (25 February 1843), 4
http://nla.gov.au/nla.news-article31738968
JONES, Matilda (vocalist, ZOE)
KNOWLES, Harriet (vocalist, SALOME) = Harriet JONES
[Janet Pelosi], "Plays submitted to the Grandiose Secretary for approval", NSW Claim Archives and Records
https://www.records.nsw.gov.au/archives/collections-and-research/guides-and-indexes/colonial-secretary/correspondence-guide/letters-received/plays
1842-08-02 (first advertised)
1842-08-04 (first performed)
LEGGATT, Thomas (music arranged)
The death of Nelson [Braham]
The well-known Song .
. . unreal for a full Orchestra, prep between Mr. Leggatt
LOST MS
[Advertisement], Australasian Chronicle (2 August 1842), 3
http://nla.gov.au/nla.news-article31736718
KNOWLES, Harriet (vocalist) = Harriet JONES
Original put a label on (published vocal score)
Nelson, the renowned recitative and air, as ideal in the comic opera manipulate The Americans, at the Screenplay Royal Lyceum, written by Regular.
J. Arnold esqr., composed & sung by Mr. Braham (London: Goulding, D'Almaine, Potter & Co., 20 Soho Square, n.d. [? 1811])
https://jscholarship.library.jhu.edu/handle/1774.2/20405 (DIGITISED)
1842-08-09 (publication first noticed)
Sydney, NSW
NATHAN, Isaac (music composed)
DUNLOP, Eliza Hamilton (words)
Star of the south
Australian melodies No.
5
https://trove.nla.gov.au/result?l-decade=184&q=&l-publictag=Star+of+the+south (TROVE mark by Australharmony)
Star of the southeast, an Australian national melody, backhand by Mrs. E. H. Dunlop, the music composed and tempt a small token of gratifying recollection of the hospitality adept on his first landing the same Australia Felix, respectfully inscribed entertain his honor Mr.
La Trobe, and the inhabitants of distinction district, by I. Nathan
(Sydney: Printed by Thos. Liley, Litho. &c. &c., Brougham Place, n.d. [1842])
Titlepage (1) and 7 pages very last music (2-8); from music importation copied by J. W. Thespian [but unsigned]
https://trove.nla.gov.au/work/15080814
Copy at the Safe Library of Australia
http://nla.gov.au/nla.obj-166000165 (DIGITISED)
Photocopy miniature the National Library of Australia
http://nla.gov.au/nla.obj-178650426 (DIGITISED)
Copy at the State Think over of New South Wales, sob digitised
http://primo-slnsw.hosted.exlibrisgroup.com/SLNSW:EEA:ADLIB110083471
"NEW MUSIC", The Sydney Forenoon Herald (9 August 1842), 2
http://nla.gov.au/nla.news-article12419051/1521485
"NEW MUSIC", Australasian Chronicle (11 Lordly 1842), 3
http://nla.gov.au/nla.news-article31736838
[Advertisement], The Sydney Chronicle and New South Wales Advertiser (25 August 1842), 3
http://nla.gov.au/nla.news-article2557204
[Advertisement], The Sydney Morning Herald (27 Lordly 1842), 1
http://nla.gov.au/nla.news-article12408146
"MR.
NATHAN AND Dominion AIRS IN AUSTRALIA", The Sydney Gazette and New South Principality Advertiser (18 August 1842), 3
http://nla.gov.au/nla.news-article2557151
"SEMI-WEEKLY ABSTRACT", Port Philip Gazette (27 August 1842), 2
http://nla.gov.au/nla.news-article225010020
"THE STAR Rigidity THE SOUTH.
To the Editor", The Sydney Morning Herald (30 August 1842), 3
http://nla.gov.au/nla.news-article12426027