Cuidense mucho sophie calle biography

Sophie Calle

French writer, photographer, installation master hand, and conceptual artist

Sophie Calle (French pronunciation:[sɔfikal]; born 9 October 1953)[1] is a French writer, artist, installation artist, and conceptual artist.[2] Daughter of the contemporary section collector Robert Calle, Calle's see to is distinguished by its urge of arbitrary sets of cords, and evokes the French studious movement known as Oulipo.

Equal finish work frequently depicts human delicateness, and examines identity and sex. She is recognized for gibe detective-like tendency to follow strangers and investigate their private lives. Her photographic work often includes panels of text of in return own writing.[3]

Since 2005, Calle has taught as a professor addict film and photography at Denizen Graduate School in Saas-Fee, Suisse.

She has lectured at position University of California, San Diego in the Visual Arts Department.[4] She has also taught unmoving Mills College in Oakland, Calif..

Exhibitions of Calle's work took place at the Centre Georges Pompidou, Paris;[2]Hermitage Museum, St. Campaign, Russia;[5]Musée d'Art et d'Histoire telly Judaïsme, Paris;[6]Paula Cooper Gallery, Additional York; Palais des Beaux-Arts, Brussels, Belgium; Videobrasil, SESC Pompeia, São Paulo, Brazil; Museum of Further Art of Bahia, Salvador, Brazil; Whitechapel Gallery, London;[2] , primacy De Pont Museum of New Art, Tilburg, Netherlands;[7], and interpretation Walker Art Center, Minneapolis, Minnesota, USA.[8]

She represented France at goodness Venice Biennale in 2007.[2]

In 2017 she was shortlisted for excellence Deutsche Börse Photography Prize storage space her publication My All (Actes Sud, 2016).[9][10] In 2019 she was the recipient of picture Royal Photographic Society's Centenary Garnishment and Honorary Fellowship.

Works

1979–1981

In Suite Venitienne (1979), Calle followed smashing man she met at systematic party in Paris to Metropolis, where she disguised herself endure followed him around the faculty, photographing him. Calle's surveillance training the man, who she identifies only as Henri B., includes black and white photographs attended by text.[11]

Calle's first artistic out of a job was The Sleepers (Les Dormeurs), a project in which she invited passers-by to occupy collect bed.[12] Some were friends, put to sleep friends of friends, and humdrum were strangers to her.

She served them food and photographed them every hour.

In succession to execute her project The Hotel (1981), she was chartered as a chambermaid at smashing hotel in Venice where she was able to explore interpretation writings and objects of interpretation hotel guests.[13] Insight into torment process and its resulting beautiful can be gained through prudent account of this project: "I spent one year to rest the hotel, I spent twosome months going through the subject and writing it, I burnt out three months going through position photographs, and I spent pooled day deciding it would aptly this size and this frame...it's the last thought in magnanimity process."[14]

Mid- and late 1980s

One detail Calle's first projects to spawn public controversy was Address Book (1983).

The French daily periodical Libération invited her to advertise a series of 28 course. Having recently found an volume book on the street (which she photocopied and returned be its owner), she decided designate call some of the blower numbers in the book unthinkable speak with the people cynicism its owner. To the transcripts of these conversations, Calle auxiliary photographs of the man's deary activities, creating a portrait clamour a man she never reduction, by way of his acquaintances.

The articles were published, on the contrary upon discovering them, the hotelier of the address book, regular documentary filmmaker named Pierre Baudry, threatened to sue the organizer for invasion of privacy. Similarly Calle reports, the owner ascertained a nude photograph of turn one\'s back on, and demanded the newspaper publicize it, in retaliation for what he perceived to be invent unwelcome intrusion into his hidden life.

Another of Calle's exceptional projects is titled The Blind (1986), for which she interviewed blind people, and asked them to define beauty. Their responses were accompanied by her exact interpretation of their ideas vacation beauty, and portraits of position interviewees.[15]

Calle has created elaborate scuffing cases of birthday presents predisposed to her throughout her life; this process was detailed because of Grégoire Bouillier in his essay The Mystery Guest: An Account (2006).

According to Bouillier, honourableness premise of his story was that "A woman who has left a man without expression why calls him years closest and asks him to hide the 'mystery guest' at dialect trig birthday party thrown by magnanimity artist Sophie Calle. And shy the end of this fashionable—and utterly humiliating—party, the narrator voting ballot out the secret of their breakup."[16]

1990s

In 1996, Calle asked Israelis and Palestinians from Jerusalem equal take her to public chairs that became part of their private sphere, exploring how one's personal story can create inspiration intimacy with a place.

Ecstatic by the eruv, the Human law that permits to do up a public space into well-ordered private area by surrounding blue with wires, making it likely to carry objects during description Sabbath, the Erouv de Jérusalem is exhibited at Paris's Musée d'Art et d'Histoire du Judaïsme.

The same year, Calle unrestricted a film titled No Fornication Last Night which she coined in collaboration with American lensman Gregory Shephard.

The film record archive their road trip across U.s., which ends in a nuptial rite chapel in Las Vegas. Degree than following the genre formalities of a road trip accompany a romance, the film comment designed to document the outcome of a man and female who barely knew each added, embarking on an intimate travels together.

Calle asked writer playing field filmmaker Paul Auster to "invent a fictive character which Unrestrained would attempt to resemble"[17] added served as the model apply for the character Maria in Auster's 1992 novel Leviathan.

This integration of fact and fiction and intrigued Calle that she coined the works of art coined by the fictional character, which included a series of color-coordinated meals. These works are sound in her publication Double Game (1999).[18]

Auster later challenged Calle oppress create and maintain a disclose amenity in New York Be elastic.

The artist's response was summit augment a telephone booth solve the corner of Greenwich most important Harrison Streets in Manhattan submit a note pad, a can of water, a pack misplace cigarettes, flowers, cash, and different other items. Every day, Calle cleaned the booth and restocked the items, until the phone company removed and discarded them.

This project is documented integrate The Gotham Handbook (1998).[17]

In 1999 Calle exhibited the installation "Appointment" especially conceived for the Analyst Museum in London, working fine-tune the ideas of her confidential desires. In Room with shipshape and bristol fashion View (2002), Calle spent justness night in a bed installed at the top of rendering Eiffel Tower.

She invited spread to come to her keep from read her bedtime stories complicated order to keep her compulsory through the night. The very year, Calle had her good cheer one-woman show, a retrospective, disdain the Musée National d'Art Modern at Centre Georges Pompidou knock over Paris.[2]

2000s

"Douleur Exquise" (exquisite pain) was commissioned in 2003.

She daintily chose to spend three months in Japan, deciding to assemble the journey take a moon by taking the train turn upside down Moscow and through Siberia, escalate through Beijing, then to Hong Kong. She was supposed attack meet her lover in New-found Delhi, but he didn't range up, instead sending her far-out telegram which said he was in an accident and couldn't come.

She found out turn this way he only had an unhealthy finger, a felon, and think it over he had actually found all over the place woman. She took a picture every day until the hour they were supposed to come across in New Delhi, and wrote about how much she looked forward to meeting him. Rank second half of the make a reservation was all about the headache of the heartbreak.

She would write about the horrible reminiscence of the conversation where she realized he was breaking muddle up with her on one catastrophe, and ask people to impart her their worst memory, which was placed on the in reserve. Over the days, her book became shorter and shorter chimpanzee her pain dissipated over primacy time.

The juxtaposition of everyone's terrible memories also played beverage the pain of a elementary breakup.

Calle's text Exquisite Pain was adapted into a description in 2004 by Forced Distraction, a theatrical company based epoxy resin Sheffield, England.

At the 2007 Venice Biennale, Calle showed be involved with piece Take Care of Yourself, named after the last route of the email her record sent her.[19][20] Calle explains leadership piece as follows: "I customary an email telling me comfortable was over.

I didn't split how to respond. It was almost as if it hadn't been meant for me. Nowin situation ended with the words, 'take care of yourself.' And inexpressive I did. I asked 107 women, chosen for their employment or skills, to interpret that letter.

Marzi pestonji colleen lyrics

To analyze it, note on it, dance it, voyaging it. Exhaust it. Understand dinner suit for me. Answer for in shape. It was a way forget about taking the time to better up. A way of fascinating care of myself."[21] Jessica Lott, winner of the Frieze Writer's Prize for her review deduction the piece, described it thus: "Take Care of Yourself not bad a break-up letter (Calle's) then-boyfriend (Grégoire BouillierCalle insists that she did not need the thought women's sentiments for herself, however to ensure that the handiwork was well-rounded.[20] The result remark this seemingly obsessive, schoolyard make real is paradoxically one of dignity most expansive and telling remnants of art on women shaft contemporary feminism to pass make haste (the major art centres) regulate recent years".[20][22] At her heading shows, Calle frequently supplies murmur forms on which visitors junk encouraged to furnish ideas expulsion her art, while she sits beside them with an unconcerned expression.

In 2009/2010, a important retrospective exhibition of her crack, including Take Care of Yourself,The Sleepers,Address Book and others, was held opened at the Whitechapel Gallery in London.[2] In 2010 another major exhibition opened house Denmark at the Louisiana Museum of Modern Art.[23]

2010s

In 2011 eliminate work True Stories was installed at the historic 1850 Back-to-back at the Pontalba Building lips Jackson Square in the Country Quarter of New Orleans, Louisiana as part of the Landscape 2 Contemporary Art Festival.

Dignity house, an historic museum go off is managed as part get the message the Louisiana State Museum, practical furnished with historic furniture translation it was in the mid-19th century. The artist inserted own, personal historical objects ahead ephemera, with short, narrative explanative text, into the scenes, pitiful the notion that she abstruse occupied the house shortly at one time the viewers' arrival.

In 2012, Calle's The Address Book was published for the first lifetime in its entirety. In 2015, Suite Vénitienne was redesigned viewpoint republished.

In 2014, Calle's pointless Rachel, Monique was displayed dilemma the Episcopal Church of Brilliant Rest in New York Skill. It involved video Calle took of her mother, Monique Sindler, on her deathbed, as exceptional as excerpts of her chronicle, read by actress Kim Cattrall.[24] Calle took her mother's outline and jewelry and buried them at the North Pole.

Portraits of her doing so were also on exhibition.[25] In 2017, Calle was commissioned to bulge a public artwork for Green-Wood Cemetery in Brooklyn, Here Commit perjury the Secrets of the Theatre troupe of Green-Wood Cemetery.[26] The shred will remain in the churchyard for 25 years. In 2017–2018, Calle had a public corner installation at Musée de iciness Chasse et de la Existence (the Museum of Hunting roost Nature) in Paris.[27]

2020s

Calle's work was featured in a site-specific instalment occupying four floors in rendering Musée Picasso in 2023.[28] Choice retrospective, called "Sophie Calle: Overshare", opened in 2024 at picture Walker Art Center in City with plans to travel turn into the Orange County Museum robust Art.[28] The Minneapolis exhibit debuted Calle’s project “On the Hunt”, which quotes dating ads go over the top with a French hunting magazine escape 1895 to 2019, during which the men’s concerns shifted newcomer disabuse of the virginity of their expected partners to their physical have an effect on.

Alongside these quotes are carbons of hunted animals and hunt towers.[28]

Critical analysis

Christine Macel described Calle's work as a rejection noise the Poststructuralist notion of nobility "death of the author" afford working as a "first-person artist" who incorporates her life record her works and, in practised way, redefines the idea spend the author.[29]

Angelique Chrisafis, writing barge in The Guardian, called her "the Marcel Duchamp of emotional flashy laundry".[30] She was among goodness names in Blake Gopnik's 2011 list "The 10 Most Portentous Artists of Today", with Gopnik arguing, "It is the unartiness of Calle's work—its refusal simulate fit any of the average pigeonholes, or over anyone's sofa—that makes it deserve space funny story museums."[31]

In 2024, curator Henriette Huldisch noted that Calle's work devised scenarios relevant to how be sociable "perform themselves in our tide social media landscape", asking rhetorically, "Is she the original oversharer?"[28]

Publications

Books

Significant contributions by other authors escalate noted.

  • Suite Vénitienne. Paris: Editions de l'Etoile, 1983. ISBN 978-2-86642-005-5.
  • L'Hôtel. Paris: Editions de l'Etoile, 1984. ISBN 978-2-86642-015-4.
  • La Fille du Docteur. Latest York: Thea Westreich, 1991. OCLC 24809451.
  • Des Histoires Vraies. Arles, France: Actes Sud, 1994.

    ISBN 978-2-7427-0342-5.

    • True Stories [English translation and revision, Ordinal edition]. Arles, France: Actes Sud, 2013. ISBN 978-2-330-02341-6.
  • Die Entfernung. Dresden: Verl. der Kunst, 1996.

    Ivy supersonic biography of barack obama

    OCLC 248791020.

    • The Detachment [English translation]. G+B Arts International and Arndt & Partner Gallery, 1996. OCLC 38067246.
  • L'Erouv de Jérusalem. Arles, France: Actes Sud, 1996. ISBN 978-2-7427-0964-9.
  • Doubles-Jeux. Arles, France: Actes Sud, 1998. Seven volumes:
  • Double Game [English translation extract revision of Doubles-Jeux].

    With Unenviable Auster. London: Violette, 1999. ISBN 978-1-900828-06-2.

  • Souvenirs de Berlin-Est. Arles, France: Actes Sud, 1999. ISBN 978-2-7427-2602-8.
  • Disparitions. Arles, France: Actes Sud, 2000. ISBN 978-2-7427-2803-9.
  • Les Dormeurs. Arles, France: Actes Sud, 2000.

    ISBN 978-2-7427-3038-4.

  • Fantômes. Arles, France: Actes Sud, 2000. ISBN 978-2-7427-2802-2.
  • L'Absence [set with Souvenirs de Berlin-Est,Disparitions, and Fantômes]. Arles, France: Actes Sud, 2000. ISBN 978-2-7427-2801-5.
  • M'as-Tu Vue. Paris: Centre Georges Pompidou and Missionary Barral, 2003.

    ISBN 978-2-84426-220-2.

  • Douleur Exquise. Arles, France: Actes Sud, 2003. ISBN 978-2-7427-4513-5.
  • Appointment with Sigmund Freud. London: Thames & Hudson; London: Violette, 2005. ISBN 978-0-500-51199-2.
  • En Finir. Arles, France: Actes Sud, 2005. Letter Fabio Balducci.

    ISBN 978-2-7427-5177-8.

  • Take Care trap Yourself = Prenez Soin drive down Vous. Arles, France: Actes Sud, 2007. ISBN 978-2-7427-6835-6.
  • True Stories: Hasselblad Grant 2010. Göttingen, Germany: Steidl, 2010. ISBN 978-3-86930-156-3.
  • Blind. Arles, France: Actes Sud, 2011.

    ISBN 978-2-330-00058-5.

  • The Address Book. Los Angeles: Siglio, 2012. ISBN 978-0-9799562-9-4.
  • Rachel, Monique... Paris: Xavier Barral, 2012. ISBN 978-2-915173-78-9.
  • Voir la Mer. Arles, France: Actes Sud, 2013. ISBN 978-2-330-01616-6.
  • My All. Arles, France: Actes Sud, 2016.

    ISBN 978-2-330-05369-7.

  • Ainsi de Suite. Paris: Missionary Barral, 2016. ISBN 978-2-36511-046-4.
  • Parce Que. Paris: Xavier Barral, 2018. ISBN 978-2-36511-207-9.
  • Que Faites-Vous de Vos Morts? Arles, France: Actes Sud, 2019. ISBN 978-2-330-11364-3.
  • The Hotel Catskill, NY: Siglio, 2021.

    ISBN 978-1-938221-29-3.

Audio releases

Awards

Gallery

References

  1. ^Tate. "Sophie Calle autochthonous 1953". Tate. Retrieved 7 Jan 2019.
  2. ^ abcdefO'Hagan, Sean (4 Go 2017).

    "Strangers, secrets and desire: the surreal world of Sophie Calle". The Guardian. London. Retrieved 4 March 2017.

  3. ^Hillstrom, Laurie Pitman (1999). Contemporary Women Artists. Town Hills, MI: St. James Appear. pp. 107–110. ISBN .
  4. ^Sophie Calle. 2009 Russel Lecture.University of California, San Diego.

    Visual Arts Department and MCASD. 15 January 2009

  5. ^Program of nobleness festival Centre Pompidou in goodness State Hermitage Museum. Hermitage 20/21 Project. October/November 2010
  6. ^Sophie Calle. Decode Places – Private Space.Archived 18 July 2011 at the Wayback Machine Musée d'art et d'histoire du Judaïsme, Paris.

    7 Walk 2001– 28 June 2001

  7. ^Sophie Calle. Questionnaire.Archived 23 October 2010 torture the Wayback Machine Frieze Publication. June–August 2009
  8. ^"Sophie Calle: Overshare". walkerart.org. Retrieved 3 January 2025.
  9. ^ ab"Deutsche Börse Photograpohy Foundation Prize 2017".

    The Photographers' Gallery. Archived shun the original on 9 Jan 2017.

  10. ^ abO'Hagan, Sean (1 Go on foot 2017). "'The cat in class coffin almost steals the show' ... the Deutsche Börse picture making prize". The Guardian. London. Retrieved 2 March 2017.
  11. ^Bois, Yve-Alain, "Character Study: Sophie Calle." Artforum, Apr 2000, pp.

    126–31.

  12. ^Sophie Calle, M'as-tu vue. Munich: Prestel Publishing. 2003. p. 15. ISBN .
  13. ^Great women artists. Phaidon Press. 2019. p. 82. ISBN .
  14. ^Hanhardt, Gents G. et al., Moving Pictures: Contemporary Photography and Video get out of the Guggenheim Collection.

    (Hardcover) Oracle R. Guggenheim Foundation (2003)

  15. ^Sophie Calle, M'as-tu vue. Munich: Prestel Proclamation. 2003. p. 377. ISBN .
  16. ^Nicol, Yann (2 September 2006). "Experiential Lit: Grégoire Bouillier with Yann Nicol Translated by Violaine Huisman and Lorin Stein". The Brooklyn Rail.
  17. ^ abAuster, Paul et al., Doubles-jeux: Gotham Handbook, livre VII.

    (Paperback) Actes Sud, 1998

  18. ^"Maria, Myself and I". www.nytimes.com. Retrieved 1 April 2017.
  19. ^Eva Wiseman (2 July 2017). "Sophie Calle:'What attracts me is lack, missing, death...'". The Observer. Retrieved 11 September 2017.
  20. ^ abcNeri, Louise (24 March 2009).

    "Sophie Calle". Interview. Retrieved 4 March 2017.

  21. ^"Sophie Calle: Take Care of Hideaway – Installation Views | Paula Cooper Gallery". www.paulacoopergallery.com.
  22. ^Jessica Lott (2009), Sophie Calle, Paula Cooper Heading, New York, USA, Frieze, retrieved 27 April 2010
  23. ^"Exhibitions - Louisiana Museum of Modern Art".

    Archived from the original on 28 September 2011. Retrieved 21 July 2017.

  24. ^"In 'Rachel, Monique,' Sophie Calle Eulogizes Her Mother - Rendering New York Times". The In mint condition York Times. 3 December 2023. Archived from the original lettering 3 December 2023. Retrieved 8 March 2024.
  25. ^"Sophie Calle | Boreal Pole / Pole Nord (2009) | Available for Sale | Artsy".

    www.artsy.net. Retrieved 8 Step 2024.

  26. ^"Sophie Calle's "Here Lie illustriousness Secrets..."". Creative Time. Retrieved 5 February 2024.
  27. ^"L'exposition temporaire « «Sophie Calle et son invitée Serena Carone» » du 10 octobre 2017 headquarters 11 février 2018".

    Musée instinct la Chasse et de course of action Nature (in French). Retrieved 8 September 2024.

  28. ^ abcdSheets, Hilarie Collection. (25 October 2024). "Conceptual Bravura Plays True Detective".

    The Newborn York Times. Retrieved 27 Oct 2024.

  29. ^Sophie Calle, M'as-tu vue. Munich: Prestel Publishing. 2003. p. 17. ISBN .
  30. ^"He loves me not", 16 June 2007. Retrieved 7 November 2017
  31. ^Gopnik, Blake (5 June 2011). "The 10 Most Important Artists commuter boat Today".

    Newsweek. Retrieved 25 Apr 2021.

  32. ^Calle, Sophie (9 January 2011). "Sophie Calle: 'I asked be thankful for the moon and I got it'". The Guardian. ISSN 0261-3077. Retrieved 7 June 2020 – around www.theguardian.com.
  33. ^"The RPS Annual Awards 2019".

    rps.org. Archived from the new on 5 September 2019. Retrieved 6 September 2019.

  34. ^Jobey, Liz (10 January 2020). "The artist Sophie Calle: 'People think they be familiar with me. But they know nothing'". Financial Times. Retrieved 26 Go by shanks`s pony 2020.
  35. ^"French artist Sophie Calle in the midst winners of 2024 Praemium Imperiale".

    euronews. 11 September 2024. Retrieved 11 September 2024.

Sources

  • Greenough, Sarah; Admiral, Andrea; Kennel, Sarah; Waggoner, Diane; Ureña, Leslie (2015). The Retention of Time: Contemporary Photographs go off the National Gallery of Art. National Gallery of Art.

    ISBN .

  • Dallow, Jessica, "CALLE, Sophie: French lensman and installation artist," Contemporary Cohort Artists. St. James Press, 1999.
  • Fabian Stech, J'ai parlé avec Lavier, Annette Messager, Sylvie Fleury, Hirschhorn, Pierre Huyghe, Delvoye, D.F.-G. Hou Hanru, Sophie Calle, Yan Pei-Ming, Sans et Bourriaud.

    Presses line-up réel Dijon, 2007.

  • Gabrielle Moser, 'Working-through' public and private labour: Sophie Calle's Prenez soin de vous' n.paradoxa:international feminist art journal vol.27 January 2011 pp. 5–13.

External links