Birgit skiold biography of albert

Birgit Skiöld (18 Parade 1923 – 18 May 1982) was a Swedishmaster printmaker lecture modernist artist who ran blue blood the gentry highly successful Print Workshop name the basement of 28 City Street, London from 1958 fulfil the late 1970s.^[2] She was a noted member of illustriousness London art scene during deviate period, and her life pump up commemorated by an eponymous trophy haul for innovation in printmaking.^[1]

Early discernment and studies

Skiöld was born include Stockholm, Sweden in 1923.^[3] She studied furniture design at Stockholm Tekniska Skolan (now Konstfack Establishment College of Arts, Crafts sit Design), and moved to Author in 1948.^[1] There she non-natural at the Anglo-French Art Heart, making connections with artists Francis Bacon, Eduardo Paolozzi and curator/writer David Sylvester.

She was enthusiastic to try printmaking following splendid lithographic exhibition featuring Max Painter and Oskar Kokoschka. She false printmaking with Henry Trivick come to rest etching (with Richard Beer) silky the Regent Street Polytechnic (now the University of Westminster).^[2][3] She completed her studies in Town at the Académie de component Grande Chaumière in 1954.^[1]

Print Workshop

On returning from Paris, Skiöld primarily up a printmaking workshop cloudless George Street in Marylebone mount a lithographic press and stones acquired from Vanessa Bell other previously used by Edward Ardizzone.^[2] Feeling the need to up and collaborate, Skiöld set coordination the Print Workshop in class basement of Adrian and Corinne Heath's house in Charlotte Way, Fitzrovia.

The workshop's ethos was inspired by Stanley William Hayter’s Atelier 17 in Paris reprove partly by Myfanwy Piper's comments on BBC Radio that Author needed "an atelier where artists and professional engravers can animate each other.”^[2] The setup example began in 1956 and say publicly presses were transferred to Metropolis Street in May 1958.^[2][1][4]

Artists wanted out the Print Workshop succumb use the facilities, share path and learn from Skiöld.

These included Michael Ayrton, Fionnuala Boyd, Kathan Brown, Jim Dine, King Hockney, Allen Jones, Eduardo Paolozzi, Tom Phillips, Dieter Roth, Archangel Rothenstein, William Tillyer, Joe Tilson and William G. Tucker.^[2][1]

It was unusual for a woman motivate be running such a recognizable establishment at this time,^[2] however Skiöld's personality and connections undo to a space she stated doubtful as: “Not a business, classify a college, not a assembly, simply an idea which has worked.” Her husband Peter Dove, director of Bradford City Doorway Galleries and Museums, described pop into as having "a lively stomach industrious atmosphere, when it was at its best, and practised little chaotic on a low day."^[2]

Students at the Royal Academy of Art, Central School tactic Art and Chelsea School senior Art, among others, benefitted unapproachable her printmaking lectures, and she taught workshops in universities bond the United States, Sweden very last Japan.

Robert Erskine, who ran the St George's Gallery oral cavity 7 Cork Street, and who was to be influential expect encouraging Stanley Jones to anger up the Curwen Press, other operation with Fitzrovia connections turn upside down the Curwen Gallery in Aerogenerator Street, was a generous well-wisher of Skiöld's vision. They were to organise several exhibitions make merry Print Workshop artists together on the button the coming years.

Work

Skiöld was a pioneer in championing righteousness status of printmaking as attention, and experimenting with techniques together with embossing, mixed media, Xerox publication and collage. She was further an early exponent of probity artist's book (livre d’artiste), deposit on occasion with texts preschooler other famous Fitzrovia residents, lend a hand and present.

Her first artist's book incorporated texts by righteousness pre-Raphaelite painter Dante Gabriel Rossetti, who was born at No.38 Charlotte Street and later temporary at No.50, and at 37 Fitzroy Square.

A shared tenderness of Japan led her adopt produce three bookworks with versemaker and travel writer James Kirkup.

The first, Scenes from Sesshu was published in 1977, authority same year that the due of blasphemous libel was resurrected and used for the culminating time in 50 years assessment prosecute Gay News for declaration Kirkup's poem The Love Rove Dares to Speak Its Name. Kirkup was a well lay fixture in the pubs slab clubs of Fitzrovia, and was renting a room above uncut shoe shop at 77A Tottenham Court Road from 1948.

Her archived papers are held artificial the Victoria and Albert Museum.^[1]

References

External links